Javascript must be enabled to continue!
Ravenna on the Grand Tour: A View of Late Antiquity in the Eighteenth Century
View through CrossRef
Abstract
Ravenna, the former grand capital of the late Roman and early Byzantine Empires and a popular modern UNESCO World Heritage site, is a city rarely included in major historical surveys of Italy during the Grand Tour. An exploration of period sources may reveal why: it was, for many centuries between the Middle Ages and the nineteenth century, a rundown parish town that was incredibly difficult to reach by conventional transportation. This article collates and deconstructs a number of Grand Tour sources in order to gain an understanding of Ravenna in the eighteenth century, and, further, an understanding of the contemporary attitudes towards post-Classical monuments and artwork. This exploration allows us to ask broader questions about Ravenna’s place on the Grand Tour. As a city with very little to offer in the way of Classical monuments, it slightly complicates our idea of classical reception on the Grand Tour and shows us how travellers navigated a place replete with late antique basilicas and Byzantine mosaics instead of marble sculptures and tombs.
Title: Ravenna on the Grand Tour: A View of Late Antiquity in the Eighteenth Century
Description:
Abstract
Ravenna, the former grand capital of the late Roman and early Byzantine Empires and a popular modern UNESCO World Heritage site, is a city rarely included in major historical surveys of Italy during the Grand Tour.
An exploration of period sources may reveal why: it was, for many centuries between the Middle Ages and the nineteenth century, a rundown parish town that was incredibly difficult to reach by conventional transportation.
This article collates and deconstructs a number of Grand Tour sources in order to gain an understanding of Ravenna in the eighteenth century, and, further, an understanding of the contemporary attitudes towards post-Classical monuments and artwork.
This exploration allows us to ask broader questions about Ravenna’s place on the Grand Tour.
As a city with very little to offer in the way of Classical monuments, it slightly complicates our idea of classical reception on the Grand Tour and shows us how travellers navigated a place replete with late antique basilicas and Byzantine mosaics instead of marble sculptures and tombs.
Related Results
Freemasonry and the Occult at the Court of Peter the Great
Freemasonry and the Occult at the Court of Peter the Great
AbstractThe reign of Peter the Great is regarded as one of the most significant and contentious epochs in Russian history. It has been customary to view the reforms of the period a...
THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?
THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?
Period concepts and periodizations are constructions, or readings, and hence always subject to reinterpretation. Many recent scholars have privileged institutional and reception hi...
Rome, Ravenna and the last western emperors
Rome, Ravenna and the last western emperors
ROMA, RAVENNA E GLI ULTIMI IMPERATORI D'OCCIDENTENonostante Ravenna sia stata a lungo considerata come la capitale degli imperatori tardo-romani e dei loro successori in Occidente,...
The Glove as Fetish Object in Eighteenth-Century Fiction and Culture
The Glove as Fetish Object in Eighteenth-Century Fiction and Culture
This essay focuses on eighteenth-century women’s gloving practices and representations of women’s gloves in the period. Through close readings of the gloving scenes in William Hoga...
C. P. E. BACH TERCENTENARY CONFERENCE: C. P. E. BACH AND EIGHTEENTH-CENTURY KEYBOARD CULTURE UNIVERSITY OF OXFORD, 29–30 NOVEMBER 2014
C. P. E. BACH TERCENTENARY CONFERENCE: C. P. E. BACH AND EIGHTEENTH-CENTURY KEYBOARD CULTURE UNIVERSITY OF OXFORD, 29–30 NOVEMBER 2014
There was a time when C. P. E. Bach's music was mostly interesting as a connection between periods of music history. Indeed, perhaps no composer was done a greater injustice by suc...
‘C’est à ce prix que vous mangez du sucre en Europe’: Decolonizing plantationocene visualities in Amalia Ramanankirahina’s Le grand couvert
‘C’est à ce prix que vous mangez du sucre en Europe’: Decolonizing plantationocene visualities in Amalia Ramanankirahina’s Le grand couvert
This article explores how the installation Le grand couvert by Malagasy artist Amalia Ramanankirahina intersects colonial plantations and a French Parisian orchard to decolonize co...
Digital Perspectives on Overland Travel and Communications in the Exarchate of Ravenna (Sixth through Eighth Centuries)
Digital Perspectives on Overland Travel and Communications in the Exarchate of Ravenna (Sixth through Eighth Centuries)
The arrival of the Langobardi to Italy disrupted centuries-old Roman overland communication networks. When the political situation stabilized around 600 CE, Rome and Ravenna, still...
'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw
'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw
AbstractSince 1988, when this journal carried an article on Andrics Bongen (ca. 1732-1792), probably the first cabinet-maker in Amsterdam to have made marquetry furniture in the Fr...