Javascript must be enabled to continue!
Ariadne and Ovid
View through CrossRef
Abstract
This chapter focuses on the depiction of Ariadne by Ovid. Ovid gives extended attention to the story of Ariadne in three of his works, following later events along the narrative line in later poems, moving from Ariadne freshly deserted in Heroides 10, to the approach of Bacchus in Ars Amatoria 1, to a later moment when she finds herself deserted once more, this time by her divine husband, in Fasti 3.2 Although the same, or similar, elements naturally recur in all three episodes, there is a palpable sense of difference and of development which can be perceived in Ariadne's movement from a well-known mythical figure speaking for herself, through an incarnation as didactic exemplum, and into the realization of a future life which, it turns out, cannot escape from its troubled past even whilst theoretical happiness and immortality beckon.
Title: Ariadne and Ovid
Description:
Abstract
This chapter focuses on the depiction of Ariadne by Ovid.
Ovid gives extended attention to the story of Ariadne in three of his works, following later events along the narrative line in later poems, moving from Ariadne freshly deserted in Heroides 10, to the approach of Bacchus in Ars Amatoria 1, to a later moment when she finds herself deserted once more, this time by her divine husband, in Fasti 3.
2 Although the same, or similar, elements naturally recur in all three episodes, there is a palpable sense of difference and of development which can be perceived in Ariadne's movement from a well-known mythical figure speaking for herself, through an incarnation as didactic exemplum, and into the realization of a future life which, it turns out, cannot escape from its troubled past even whilst theoretical happiness and immortality beckon.
Related Results
Nietzsche’s Ariadne: On Asses’s Ears in Botticelli/Dürer – and Poussin’s Bacchanale
Nietzsche’s Ariadne: On Asses’s Ears in Botticelli/Dürer – and Poussin’s Bacchanale
Abstract
In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close...
Ariadne in Catullus 64
Ariadne in Catullus 64
Abstract
This chapter focuses on the depiction of Ariadne in Catullus 64. Catullus' sixty-fourth poem is an extraordinary work, which takes the form of the Hellenist...
Cornelia Naxos szigetén
Cornelia Naxos szigetén
Lucanus Cornelia-alakja a nyelvi és motivikus utalások szerint Vergilius és Ovidius mitikus nőalakjainak rokona, de motivikus szinten sokat köszönhet Propertiusnak és Seneca tragéd...
Ovid’s Love Poetry
Ovid’s Love Poetry
Always brilliantly marshaling the rich resources of the art of literature, the love poetry of the great and prolific poet Ovid (43 bce–17/18 ce) displays a vigorous engagement with...
Cosmic Artistry in Ovid and Plato
Cosmic Artistry in Ovid and Plato
This chapter reads Ovid’s Metamorphoses and Fasti next to Plato’ vision of cosmogony, especially in the Timaeus. Its aim is not to demonstrate that Ovid is a Platonist or that the ...
Philosophy in Ovid, Ovid as Philosopher
Philosophy in Ovid, Ovid as Philosopher
This volume contains sixteen essays on various aspects of Ovid’s engagement with philosophical trends and topics. Ovid has long been celebrated for the versatility of his poetic im...
Ovid against the Elements
Ovid against the Elements
This chapter examines Ovid’s use of the literary and philosophical traditions of natural science, ethnography, and paradoxography in his exile poetry (Tristia and Epistulae ex Pont...
Ovid’s Art of Life
Ovid’s Art of Life
This chapter reads Ovid’s erotodidactic poems, the Ars amatoria and Remedia amoris, as philosophical texts, arguing, first, that these poems are very much like philosophy, in that ...

