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LA MENDIGA Y LOS DOS NIÑOS [Material gráfico]
Related Results
[Ornamento con figura femenina y dos niños] [Material gráfico]
[Ornamento con figura femenina y dos niños] [Material gráfico]
Although it does not appear in the repertoires it is quite similar with another engraving of his (B.219), of 1527, so the signature may be his....
[Escudo sostenido por dos ángeles niños] [Material gráfico]
[Escudo sostenido por dos ángeles niños] [Material gráfico]
Inscription of pen and brown ink at the upper right angle: “1 e” [?]...
[Dos niños de camino al colegio] [Material gráfico]
[Dos niños de camino al colegio] [Material gráfico]
In graphite pencil on the lower edge: “12674”...
[Mujer y dos niños sentados en el suelo] [Material gráfico]
[Mujer y dos niños sentados en el suelo] [Material gráfico]
Manuscript annotation with pen and light brown ink, at the lower left edge of the verse, almost erased and according to martínez Chumiles not autograph: “Alº Cº”; In pencil, in the...
[Estudios para ángeles niños] [Material gráfico]
[Estudios para ángeles niños] [Material gráfico]
Barcia considers it the work of Jiménez Donoso...
[Tarjetas y prospectos de productos y establecimientos comerciales.. Figuras y retratos de niños] [Material gráfico]
[Tarjetas y prospectos de productos y establecimientos comerciales.. Figuras y retratos de niños] [Material gráfico]
On single sheet cards the illustration appears in the rectum and the advertising to the verse, except in five cases where text and image are in the rectum and the verse is blank. T...
[Niños buscando agua] [Material gráfico]
[Niños buscando agua] [Material gráfico]
Manuscript Inscription to Sugar Ink on the Upper Left Edge of the Rectal: Drawing No. 7; another manuscript inscription with blue ink at the top of the verse: this drawing represen...
[Jesús bendiciendo a los niños] [Material gráfico]
[Jesús bendiciendo a los niños] [Material gráfico]
Inscription by pen and black ink, in the secondary support: “Fray Matias de Irala religious of the minimos of S. F.co de Paula.”...

