Lydia Sigourney in the Land of Steady Habits

Abstract This chapter examines Lydia Huntley Sigourney’s early writing (Moral Pieces in Prose and Verse and Sketch of Connecticut) and her life writing to understand her projects of affiliating with Connecticut Federalism and narrating continuity between Connecticut Federalism its political successors after the War of 1812. It examines her historical portrayal of conflicts over social class, religion, and government, including the Hartford Convention and the state watershed election of 1818, Congregationalism and religious toleration, and Mohegan evangelism and Samson Occum, as well as Sigourney’s autobiographical portrayal of her own shifting position in these conflicts. This analysis complicates two scholarly tendencies: to portray Sigourney as a democratic, working-class poet and to oppose mass market sentimental piety with the old order of New England Puritanism and established religion. It shows instead that Sigourney represented herself as a Federalist daughter harkening back to and adapting the vision of a classically republican organic society. Her treatment of religious tolerance is shown to be central to this project insofar as it was both a means to deflect criticism of the Federalists and to adapt arguments for state religion to a new era of religious privatization.