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Op. 35 105 Tonal Ezgi

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Bu metin, müzik öğrencilerinin deşifre yapma becerisini geliştirmek için bestelenmiş olan 105 Tonal Ezgi parçaları hakkında bilgi vermektedir. Metinde deşifre çalışması için öneriler sunulmaktadır. İlk olarak parçanın tonu ve şleşi belirlenmeli, ardından ses alınmalıdır. Ses alındıktan sonra parça hızlıca incelenmeli ve zor olan ritim veya aralıklara odaklanılmalıdır. Daha sonra parça içinden ağırca okunmalı ve metronoma uygun bir hızda tekrar okunmalıdır. Okuma sırasında ritimlere ve aralıklara dikkat edilmeli, soluklar doğru yerlerde alınmalıdır. Parçalar ezberlenmeden bir sonrakine geçilmeli ve daha önceki parçalar tekrar hızlandırılarak okunmalıdır. Günde beş parçadan fazlası çalışılmamalı ve sorunlu bölgeler düzeltilmeden diğer parçaya geçilmemelidir. Parçalar düzenli olarak çalışıldığında öğrenciye fayda sağlayacaktır. Metin, deşifre parçalarının Sistematik Bölümde ilerledikçe zorlaştığını belirtmektedir. This text provides information about the 105 Tonal Melodies pieces that are composed to improve the transcription skills of music students. The text also offers suggestions for transcription practice. Firstly, the key and clef of the piece should be determined, and then the sound should be taken. After capturing the sound, the piece should be quickly examined and focus should be placed on challenging rhythms or intervals. Then, the piece should be read slowly from within and read again at an appropriate speed with a metronome. Attention should be paid to rhythms and intervals during reading, and breaths should be taken at the correct places. Pieces should be moved on to the next one without memorizing, and previous pieces should be read again at an accelerated pace. More than five pieces should not be practiced in a day, and problematic areas should not be skipped before they are corrected. When pieces are practiced regularly, they will be beneficial for the student. The text states that the transcription pieces become more difficult as they progress in the Systematic Section.
Akademisyen Kitabevi
Title: Op. 35 105 Tonal Ezgi
Description:
Bu metin, müzik öğrencilerinin deşifre yapma becerisini geliştirmek için bestelenmiş olan 105 Tonal Ezgi parçaları hakkında bilgi vermektedir.
Metinde deşifre çalışması için öneriler sunulmaktadır.
İlk olarak parçanın tonu ve şleşi belirlenmeli, ardından ses alınmalıdır.
Ses alındıktan sonra parça hızlıca incelenmeli ve zor olan ritim veya aralıklara odaklanılmalıdır.
Daha sonra parça içinden ağırca okunmalı ve metronoma uygun bir hızda tekrar okunmalıdır.
Okuma sırasında ritimlere ve aralıklara dikkat edilmeli, soluklar doğru yerlerde alınmalıdır.
Parçalar ezberlenmeden bir sonrakine geçilmeli ve daha önceki parçalar tekrar hızlandırılarak okunmalıdır.
Günde beş parçadan fazlası çalışılmamalı ve sorunlu bölgeler düzeltilmeden diğer parçaya geçilmemelidir.
Parçalar düzenli olarak çalışıldığında öğrenciye fayda sağlayacaktır.
Metin, deşifre parçalarının Sistematik Bölümde ilerledikçe zorlaştığını belirtmektedir.
This text provides information about the 105 Tonal Melodies pieces that are composed to improve the transcription skills of music students.
The text also offers suggestions for transcription practice.
Firstly, the key and clef of the piece should be determined, and then the sound should be taken.
After capturing the sound, the piece should be quickly examined and focus should be placed on challenging rhythms or intervals.
Then, the piece should be read slowly from within and read again at an appropriate speed with a metronome.
Attention should be paid to rhythms and intervals during reading, and breaths should be taken at the correct places.
Pieces should be moved on to the next one without memorizing, and previous pieces should be read again at an accelerated pace.
More than five pieces should not be practiced in a day, and problematic areas should not be skipped before they are corrected.
When pieces are practiced regularly, they will be beneficial for the student.
The text states that the transcription pieces become more difficult as they progress in the Systematic Section.

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