Built Heritage Research and History of Architecture: Light and Acoustic in the Cistercian Monastic Church of S. Bento de Cástris (Portugal)

Abstract The research on the Cistercian legacy in Portugal is an innovative multidisciplinary study. Consequently, the results achieved in this research have many different approaches: the former monasteries and their architecture are the main subjects concerning morphology, architectonic rehabilitation but also acoustics, thermal comfort, or natural light. This research, carried out at the Department of Civil Engineering and Architecture of the University of Beira Interior (DECA-UBI), was developed in connection with two other research centres - Lab2PT (Landscape, Heritage and Territory Laboratory) and CIDEHUS (Interdisciplinary Centre for History, Culture and Societies). In 2015, the curriculum of the Integrated Master Degree in Architecture of the University of Beira Interior underwent revision. Consequently, it was needed to allocate more time to the teaching of History of Architecture and the requirement to assign specific syllabus to the Portuguese History of Architecture, which is emphasized by the specific and multidisciplinary research performed linking with other sciences of engineering. The natural light in the Cistercian churches is closely linked not only with the liturgical requirements at the officium but also with the canonical hours based on the “ora et labora” dictated by the Rule of St. Benedict. The Cistercian Monastery of São Bento de Cástris (13th-19th centuries), in Évora, Portugal, includes a church, at the south-eastern corner. This church presents an unusual space setting with two choirs which seems to favour different positions for coral groups supporting liturgical and musical expression activities within the research scope of a Research Project. As the light in the Cistercian Monasteries, mainly, in their churches, is mostly related to the fulfilment of liturgical needs, this paper analyses the relationship between daylight conditions within the monastic choirs located within the monastic church. The chant was a very important way of oration and thus of the liturgy. This was the ORFEUS Project – “The Tridentine Reform and music in the cloistral silence: The Monastery of S. Bento de Cástris” which was based on a multidisciplinary approach around the Tridentine Reform with reflexes in the musical Cistercian feminine matrix between the 16th and 18th centuries on Cistercian Monasteries. This paper describes the objectives and methodology applied to the case study thus linking Built Heritage Research and History of Architecture, i.e., Research and Education.