The Speech Art Of Gegham Saryan’s Poetry

In spite of the fact that many scientific works had been created over the fiction of famous Armenian poet Gegham Saryan, the linguo-stylistic means of poets’ works, especially that of his poems and ballads are not investigated. Taking into consideration this fact, as the subject of this investigation we took speech art of G. Saryans’ poetry. The first part is named “Linguo-Stylistic Characteristics of Word-Stock Layer”. Here thoroughly are being analyzed linguo-stylistic functions of combined words, archaisms, neologies, borrowings, exotizms (alien words), barbarisms. The second part is named “The Lingvo-Stylistic Usage or Grammatical Realias”. In this part the grammatical structure of Saryan’s rhyme had been investigated. In the sub part of “Morphological Characteristics” the deviations from literary language and changes are analyzed, which in general had been expressed in the noun declension, number, subject grammatical categories and in the structure of verb declension. In the sub part of “Syntactical Characteristics” some syntactical realties, which have special significance in poet’s speech of art are being investigated. Here we deal with the of personal simple sentences, complex sentences without conjunctions, rotating syntaxes, etc. The third part has the name “Stylistic and Expressive Means”. In the sub part “Stylis­­tic Means” the metaphor, an epithet, a simile, a comparison, personification were analyzed. In the part “Expressive Means” different types and ways of repetition, graduation, and rotation are discussed. To the forth part we gave the name “The Lingvo-Stylistic Investigation of Saryan’s Poems and Ballads”. Till now the creative laboratory of G. Saryan had not been a subject of separate investigation. Here we gave importance to linguistic, stylistic changes of poet’s works. For us, it is especially important the author’s corrections.