Fickur

Boett of gold, with glass and jargons, dial of enamel, work with s. k. spider canal. Glass bottom shell, strong convex, surrounded by sixty jargons (one missing), made in silver with decks. The Cantram of Gold, on this engraved a series of interrelated arches. Glass frame with glass and frame in decor as the bottom shell, on the upper edge a line of sixty-four jargons in the piece like the aforementioned (three missing). Calling the upper edge of the bottom shell and the lower edge of the glass frame a obliquely exposed wavy cunning, which moldings together form a sharply bought back. The glass frame with the charner at the left edge, at the opposite a clasp with one in each frame sitting knob shaped nail bracket of brass. Bygel lying oval, with flack-tight inside and profiled outside. The jaw bracket in the shape of a round post, around the middle of which a simple profiling, on the upper end a round flat bud. Dial white, with black Roman hourly and Arabic minute figures, which are read from within, between the former a jargon in millegriffs (thousand choirs) of silver, the minute figures given for each hour figure; between the numbers minute points within two narrow stripes. Next to the figure II a hole for the barrel. Viewer two, of gold, broken through, each with a heart-shaped ornament, starting a tip with two leaf-shaped projections; the tip of the minute viewer longer. Work with s. k. docks in place of the upper bottom and a small round oroklove, on top of this a small round disc (s. k. countersteel) of steel, with a springing kilfomed tab, attached with a blue-striped screw. Across the work a broken wreath-like ornament of silver; the lower part is made up of two opposing three-lobed leaves, the upper of a crown-like ornament, the whole of which is occupied with seventy-five jargons (two missing) in caption as the aforementioned. The work with the charner at the upper edge, at the opposite a spring hook with a nail print at the edge.