Javascript must be enabled to continue!
Painting “Ein Eberjagd” (F. Snyders, P. P. Rubens, A. v. Dyck; oil on canvas; 1.91 x 3.01 m; Staatliche KunstGemälde Dresden)
View through Europeana Collections
Painting “Ein Eberjagd” (F. Snyders, P. P. Rubens, A. v. Dyck; oil on canvas; 1.91 x 3.01 m; Staatliche KunstGemälde Dresden)
Title: Painting “Ein Eberjagd” (F. Snyders, P. P. Rubens, A. v. Dyck; oil on canvas; 1.91 x 3.01 m; Staatliche KunstGemälde Dresden)
Description:
Painting “Ein Eberjagd” (F.
Snyders, P.
P.
Rubens, A.
v.
Dyck; oil on canvas; 1.
91 x 3.
01 m; Staatliche KunstGemälde Dresden).
Related Results
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Portrait of Jacques Le Roy
Portrait of Jacques Le Roy
The present portrait dates from the period when Van Dyck was based in Antwerp from 1627 to 1632, between his trip to Italy and his second, final trip to England. Among all the genr...
Venus and Cupid
Venus and Cupid
In his Arte de la Pintura, Pacheco left a significant account of Rubens’ second trip to Spain of 1628–29 (following his first trip of 1603). Pacheco mentions some of Rubens’ activi...
The Virgin and Child with Saint Elizabeth and Saint John the Baptist
The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Within Rubens’ enormous output as a painter, which covered the principal pictorial genres (all of which he handled with equal skill), religious painting occupies a prominent positi...
Painting, “The War,” Triptych (1929-1932, O. Dix; oil on wood; 204 x 204 cm (central panel), 60 x 204 cm (Predella); Staatliche KunstGemälde Dresden (SKD))
Painting, “The War,” Triptych (1929-1932, O. Dix; oil on wood; 204 x 204 cm (central panel), 60 x 204 cm (Predella); Staatliche KunstGemälde Dresden (SKD))
Painting, “The War,” Triptych (1929-1932, O. Dix; oil on wood; 204 x 204 cm (central panel), 60 x 204 cm (Predella); Staatliche KunstGemälde Dresden (SKD))...
Painting “Der Gemälde”, Triptych (Right-wing Gemälde Gemälde Gemälde Gemälde Gemälde Gemälde, 1932, O. Dix; mixed technique on wood; 212.5 x 100 cm; Staatliche KunstGemälde Dresden (SKD))
Painting “Der Gemälde”, Triptych (Right-wing Gemälde Gemälde Gemälde Gemälde Gemälde Gemälde, 1932, O. Dix; mixed technique on wood; 212.5 x 100 cm; Staatliche KunstGemälde Dresden (SKD))
Painting “Der Gemälde”, Triptych (Right-wing Gemälde Gemälde Gemälde Gemälde Gemälde Gemälde, 1932, O. Dix; mixed technique on wood; 212.5 x 100 cm; Staatliche KunstGemälde Dresden...
Painting “Die VerGemälde Gemälde” (1470/1472, F. d. Cossa; Tempera on poplar wood; 139 x 113.5 cm; Staatliche KunstGemälde Dresden (SKD))
Painting “Die VerGemälde Gemälde” (1470/1472, F. d. Cossa; Tempera on poplar wood; 139 x 113.5 cm; Staatliche KunstGemälde Dresden (SKD))
Painting “Die VerGemälde Gemälde” (1470/1472, F. d. Cossa; Tempera on poplar wood; 139 x 113.5 cm; Staatliche KunstGemälde Dresden (SKD))...
Portrait of Antonia Canis
Portrait of Antonia Canis
Cornelis de Vos was an artist who focused on history painting. However, portraiture was also important within his oeuvre, and he produced both individual and group compositions, in...

