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Krishna Watches Radha Twine Flower Garlands (painting, recto; text, verso)

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On the recto side of this folio is a painting featuring Hindu god Krishna and his consort Radha on a palatial terrace. On the verso side of this folio are four lines of Hindi written in gold ink and in Devanagari script. Each line is contained within cloud-like cartouches. The cartouches are set against a rose-pink background. Pahari Style, Kangra. In the painting, Krishna and Radha meet in front of a domed pavilion. Leaning against a pillar, Krishna fixes his gaze on his beloved and perfect devotee. A flower garland is placed around his neck, while a demure Radha strings another, as an offering to Krishna. Two large bowls of fragrant jasmine and marigold for the garlands are placed at her feet. In her right hand is a large lotus, an attribute of Krishna. Its upright stem and half-open blossom mirror Krishna’s stance and crowned head. A verdant canopy of flowering trees with singing birds adds another sensory layer to the composition. The profusion of floral patterns—on the pavilion exterior, floor spreads, cushions, and the illuminated borders—completes this garden of love and devotion.
Department of Islamic & Later Indian Art Harvard Art Museums/Arthur M. Sackler Museum Gift of Mr. and Mrs. Peter Bienstock
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Title: Krishna Watches Radha Twine Flower Garlands (painting, recto; text, verso)
Description:
On the recto side of this folio is a painting featuring Hindu god Krishna and his consort Radha on a palatial terrace.
On the verso side of this folio are four lines of Hindi written in gold ink and in Devanagari script.
Each line is contained within cloud-like cartouches.
The cartouches are set against a rose-pink background.
Pahari Style, Kangra.
In the painting, Krishna and Radha meet in front of a domed pavilion.
Leaning against a pillar, Krishna fixes his gaze on his beloved and perfect devotee.
A flower garland is placed around his neck, while a demure Radha strings another, as an offering to Krishna.
Two large bowls of fragrant jasmine and marigold for the garlands are placed at her feet.
In her right hand is a large lotus, an attribute of Krishna.
Its upright stem and half-open blossom mirror Krishna’s stance and crowned head.
A verdant canopy of flowering trees with singing birds adds another sensory layer to the composition.
The profusion of floral patterns—on the pavilion exterior, floor spreads, cushions, and the illuminated borders—completes this garden of love and devotion.

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