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A Political History of Literature

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Vidyapati was a poet and a scholar who lived in the fifteenth century north Bihar and composed nearly a dozen texts on varied themes in three languages. The book focuses on three of Vidyapati’s texts: Likhanāvalī, a Sanskrit treatise on writing letters and documents; Puruṣaparīkṣā, a Sanskrit compilation of mytho-historical stories focused on masculinity and political ethics; and Kīrtilatā, a political biography in Apabhraṃśa of a prince of Mithila composed in the ākhyāyikā style. Together, these compositions provide an exciting entry point into the knowledge formations of the fifteenth century. As such, the book marks a fascinating reading of politics in the literatures of a time that is known for a notorious absence of any ‘imperial’ formation. It does so by placing each of the three texts side by side with other texts composed earlier on identical or similar themes, genres, and ideas in the same and other languages. A critical historicization of the language, composition, and contents of the texts reveal an exciting and messy world of idioms, ideas, and skills drawn from different literary-political traditions. Strikingly, each upheld the ideal of imperium and provided for the cultivation of skills, ethics, and useable pasts appropriate for imperial projects. The book argues that the literary visions that sustained (and gained from) the imperial states in the earlier centuries did not disappear with the disintegration of the Delhi Sultanate. They lingered and found hospitable grounds in humbler locations. Vidyapati inherited and reworked these visions into newer, more ‘actionable’ knowledge forms.
Oxford University Press
Title: A Political History of Literature
Description:
Vidyapati was a poet and a scholar who lived in the fifteenth century north Bihar and composed nearly a dozen texts on varied themes in three languages.
The book focuses on three of Vidyapati’s texts: Likhanāvalī, a Sanskrit treatise on writing letters and documents; Puruṣaparīkṣā, a Sanskrit compilation of mytho-historical stories focused on masculinity and political ethics; and Kīrtilatā, a political biography in Apabhraṃśa of a prince of Mithila composed in the ākhyāyikā style.
Together, these compositions provide an exciting entry point into the knowledge formations of the fifteenth century.
As such, the book marks a fascinating reading of politics in the literatures of a time that is known for a notorious absence of any ‘imperial’ formation.
It does so by placing each of the three texts side by side with other texts composed earlier on identical or similar themes, genres, and ideas in the same and other languages.
A critical historicization of the language, composition, and contents of the texts reveal an exciting and messy world of idioms, ideas, and skills drawn from different literary-political traditions.
Strikingly, each upheld the ideal of imperium and provided for the cultivation of skills, ethics, and useable pasts appropriate for imperial projects.
The book argues that the literary visions that sustained (and gained from) the imperial states in the earlier centuries did not disappear with the disintegration of the Delhi Sultanate.
They lingered and found hospitable grounds in humbler locations.
Vidyapati inherited and reworked these visions into newer, more ‘actionable’ knowledge forms.

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