Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Satie, Erik Alfred Leslie (1866–1925)

View through CrossRef
Erik Satie’s compositions, writings, and humor played an important role in many modernist movements of the twentieth century. Experimenting with simple forms, neoclassicism, mysticism, satire, and Dadaism, Satie collaborated with prominent artists, musicians, and institutions including Vincent Hypsa, Jean Cocteau, Pablo Picasso, Rene Clair, Francis Picabia, Claude Debussy, Man Ray, the Ballets Russe, the Ballets Suédois. Most recognized today for early his modal, pseudo-antique dances, the Gymnopédies and Gnossiennes, Satie also composed popular tunes, humorous piano works that mocked musical conventions, avant-garde ballets, as well as numerous mystical, irreverent, and nonsensical writings and drawings. His works and persona, sometimes whimsical, arcane, gothic, mystical, or Dadaistic inspired later generations of modernist artists and composers such as Les Six, Virgil Thomson, and John Cage.
Title: Satie, Erik Alfred Leslie (1866–1925)
Description:
Erik Satie’s compositions, writings, and humor played an important role in many modernist movements of the twentieth century.
Experimenting with simple forms, neoclassicism, mysticism, satire, and Dadaism, Satie collaborated with prominent artists, musicians, and institutions including Vincent Hypsa, Jean Cocteau, Pablo Picasso, Rene Clair, Francis Picabia, Claude Debussy, Man Ray, the Ballets Russe, the Ballets Suédois.
Most recognized today for early his modal, pseudo-antique dances, the Gymnopédies and Gnossiennes, Satie also composed popular tunes, humorous piano works that mocked musical conventions, avant-garde ballets, as well as numerous mystical, irreverent, and nonsensical writings and drawings.
His works and persona, sometimes whimsical, arcane, gothic, mystical, or Dadaistic inspired later generations of modernist artists and composers such as Les Six, Virgil Thomson, and John Cage.

Related Results

The Musical Activities of Alfred Satie and Eugénie Satie-Barnetche, and Their Effect on the Career of Erik Satie
The Musical Activities of Alfred Satie and Eugénie Satie-Barnetche, and Their Effect on the Career of Erik Satie
Erik Satie is now thought of as a precursor and a man of ideas whose unconventional career took its direction from his continual rethinking of every aspect of contemporary music an...
Erik Satie
Erik Satie
Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classif...
Truth in Art, and Erik Satie's Judgement
Truth in Art, and Erik Satie's Judgement
AbstractIt is certainly true that Satie, in his later years, did not tire of repeating that there is ‘no Truth in Art’; and in saying so, he was doubtless very much in tune with th...
Erik Satie – the ‘progenitor’ of muzak or the precursor of ‘pipedown’ movement? On the concept of musique d’ameublement
Erik Satie – the ‘progenitor’ of muzak or the precursor of ‘pipedown’ movement? On the concept of musique d’ameublement
Erik Satie (1866–1925) was a colourful and intriguing artist in the world of Parisian avant-garde. In the turbulent times of the early 20th century he created the concept of musiqu...
Erik Satie – a psychopathological approach
Erik Satie – a psychopathological approach
IntroductionÉric Satie was a French classical music composer born in May of 1866. He composed several music pieces that did not fit the contemporaneous musical standard once he did...
ESTHER’S PSYCHOPATHY IN DAVID LESLIE JOHNSON’S ORPHAN MOVIE SCRIPT
ESTHER’S PSYCHOPATHY IN DAVID LESLIE JOHNSON’S ORPHAN MOVIE SCRIPT
Psychopathy is one of the dangerous mental disorder. The thesis writer focuses her thesis on the analysis of psychopathy in literary work, movie script written by David Leslie John...
Modernism, Neoclassicism, and Irony
Modernism, Neoclassicism, and Irony
This chapter discusses the relation between neoclassicism and modernism. It sets Satie’s ‘Symphonic Drama’ on texts of Plato, Socrate, in the context of post-First World War neocla...
On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour
On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour
AbstractThis essay reflects on a new digital realization by Andrew Hugill of the ‘Christian ballet’ Uspud (1892) by Erik Satie and J. P. Contamine de Latour. The creative process o...

Back to Top