Javascript must be enabled to continue!
CULTURE AND LAW IN WEIMAR JEWISH MEDIEVALISM: LEO STRAUSS'S CRITIQUE OF JULIUS GUTTMANN
View through CrossRef
The German Jewish historian of political philosophy Leo Strauss is best known for mature works in which he proposed the existence of an esoteric tradition in political philosophy, attacked the liberal tradition of political thought, and defended a classical approach to natural right against its modern counterparts. This essay demonstrates that in his youth, beginning during a scholarly apprenticeship at the Berlin Akademie für die Wissenschaft des Judentums, Strauss championed “medievals” (rather than ancients) against “moderns,” and did so through a sparring match with his postdoctoral supervisor Julius Guttmann, whom he cast in the role of representative “modern.” While for Guttmann the stakes were scholarly, for Strauss they were political. Strauss's Weimar Jewish “medievalism” was a deliberate rejection of the tradition of modern Jewish thought Strauss associated with Guttmann's teacher Hermann Cohen, whom Strauss accused of neglecting the political distinctiveness of Jewish thought. While the conflict between Strauss and Guttmann has been neglected in much of the literature on Strauss, it served as the crucible in which many of his mature views, including his famous exoteric (sometimes called “esoteric”) writing thesis, began to take shape.
Title: CULTURE AND LAW IN WEIMAR JEWISH MEDIEVALISM: LEO STRAUSS'S CRITIQUE OF JULIUS GUTTMANN
Description:
The German Jewish historian of political philosophy Leo Strauss is best known for mature works in which he proposed the existence of an esoteric tradition in political philosophy, attacked the liberal tradition of political thought, and defended a classical approach to natural right against its modern counterparts.
This essay demonstrates that in his youth, beginning during a scholarly apprenticeship at the Berlin Akademie für die Wissenschaft des Judentums, Strauss championed “medievals” (rather than ancients) against “moderns,” and did so through a sparring match with his postdoctoral supervisor Julius Guttmann, whom he cast in the role of representative “modern.
” While for Guttmann the stakes were scholarly, for Strauss they were political.
Strauss's Weimar Jewish “medievalism” was a deliberate rejection of the tradition of modern Jewish thought Strauss associated with Guttmann's teacher Hermann Cohen, whom Strauss accused of neglecting the political distinctiveness of Jewish thought.
While the conflict between Strauss and Guttmann has been neglected in much of the literature on Strauss, it served as the crucible in which many of his mature views, including his famous exoteric (sometimes called “esoteric”) writing thesis, began to take shape.
Related Results
Jewish Humor
Jewish Humor
Jewish humor is a vast field of Jewish studies that includes many aspects, including different periods, different types, different contents, and a variety of languages in different...
O Max Weber de Leo Strauss
O Max Weber de Leo Strauss
Max Weber é um autor central para Leo Strauss. Importa a Strauss compreender o sentido da ciência social elaborada por Weber, já que tal ciência social rejeitaria o direito natural...
From Constitutional Comparison to Life in the Biosphere
From Constitutional Comparison to Life in the Biosphere
From Constitutional Comparison to Life in the Biosphere is a monograph that argues for a fundamental reorientation of constitutional law around the realities of biospheric interdep...
Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
This chapter traces Orff’s musical medievalism along several trajectories. Against the backdrop of “official” medievalism espoused under Wilhelmine Germany and under the National S...
Jewish Diaspora
Jewish Diaspora
The works included in this bibliography describe Jewish diaspora from various analytical and disciplinary perspectives and touch on a wide range of historical contexts. The attempt...
Leo Strauss: An Introduction to His Thought and
Intellectual Legacy; Reading Leo Strauss: Politics, Philosophy,
Judaism; and The Truth about Leo Strauss: Political
Leo Strauss: An Introduction to His Thought and
Intellectual Legacy; Reading Leo Strauss: Politics, Philosophy,
Judaism; and The Truth about Leo Strauss: Political
Leo Strauss: An Introduction to His Thought and Intellectual
Legacy. By Thomas Pangle. Baltimore: Johns Hopkins
...
Medievalism and Music
Medievalism and Music
Medievalism, broadly construed, concerns the cultural and intellectual afterlife of the Middle Ages. It has a long tradition as a topic for critical scholarly engagement. Initially...
The Many Musical Medievalisms of Disney
The Many Musical Medievalisms of Disney
This essay argues that the Disney Company is one of today’s main purveyors of medievalism. The idea of Disney as a force for medievalism may strike some academic readers as odd, gi...

