Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Moment's Monument

View through CrossRef
Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.
University of California Press
Title: Moment's Monument
Description:
Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work.
An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century.
His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other.
Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits.
This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator.
Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

Related Results

Kanon og glemsel – Arkæologiens mindesmærker
Kanon og glemsel – Arkæologiens mindesmærker
Canon and oblivion. The memorials of archaeologyThe article takes its point of departure in the sun chariot; the find itself and its find site at Trundholm bog where it was discove...
"MONUMENT WARS" THE DESTRUCTION OF VAN HEUTSZ MONUMENT IN BATAVIA
"MONUMENT WARS" THE DESTRUCTION OF VAN HEUTSZ MONUMENT IN BATAVIA
Monument Wars or the destruction of monuments is part of decolonization in various parts of the world. Monument Wars then occur almost in some countries in the world, ranging from ...
Tropeum Traiani. Monument și propaganda.
Tropeum Traiani. Monument și propaganda.
Many times History was used to legitimate the Power, speaking about the past means speaking about the present. The past was re-constructed and reinterpreted as to support the polic...
The Melville Monument and the Shaping of the Scottish Metropolis
The Melville Monument and the Shaping of the Scottish Metropolis
AbstractThe Melville Monument, which stands at the centre of St Andrew's Square in Edinburgh, was erected between 1821 and 1823 in memory of the Tory statesman Henry Dundas, first ...
Le monument ou le tombeau du sens : les idées de monument et de trace dans le discours des dictionnaires, de Richelet à l’Encyclopédie
Le monument ou le tombeau du sens : les idées de monument et de trace dans le discours des dictionnaires, de Richelet à l’Encyclopédie
La lecture des dictionnaires de l’âge classique permet d’esquisser les lignes de sens qui sous-tendent les idées de trace et de monument. Trace et monument sont des signes qui arti...
CAVES IN THE SABAKAI ROCK
CAVES IN THE SABAKAI ROCK
The complex (geological, archaeological, botanical, zoological) natural monument of republican significance of the Republic of Bashkortostan «The Cave in the Rock of Sabakai» is th...
Samosir Regency in the Development of Monument
Samosir Regency in the Development of Monument
This study aims to discuss the development of monument in Samosir Regency, North Sumatra, Indonesia by using a descriptive analytic method with a phenomenological approach. The phe...
Samosir Regency in the Development of Monument
Samosir Regency in the Development of Monument
This study aims to discuss the development of monument in Samosir Regency, North Sumatra, Indonesia by using a descriptive analytic method with a phenomenological approach. The phe...

Back to Top