Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The American Southern Gothic on Screen

View through CrossRef
The American Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting. The book considers the cultural significance of the Southern Gothic on screen by examining southern otherness as the primary mechanism through which the South is rendered a space of darkness and danger. This opens up a critical space for the Southern Gothic to be discussed as a screen genre with its own complex visual, thematic and narrative codes. The book establishes a perspective that synthesizes a broad understanding of Southern Gothic genericity with pre-existing cultural and political discourses on the South, resulting in an analysis that is specific to film and television while remaining heedful of the intersecting discourses that inform both the Gothic and the South as historic and mediated constructs.
Amsterdam University Press B.V.
Title: The American Southern Gothic on Screen
Description:
The American Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting.
The book considers the cultural significance of the Southern Gothic on screen by examining southern otherness as the primary mechanism through which the South is rendered a space of darkness and danger.
This opens up a critical space for the Southern Gothic to be discussed as a screen genre with its own complex visual, thematic and narrative codes.
The book establishes a perspective that synthesizes a broad understanding of Southern Gothic genericity with pre-existing cultural and political discourses on the South, resulting in an analysis that is specific to film and television while remaining heedful of the intersecting discourses that inform both the Gothic and the South as historic and mediated constructs.

Related Results

Gothic and Anti-Gothic, 1797–1820
Gothic and Anti-Gothic, 1797–1820
This chapter discusses the Gothic from 1797 to 1820. The Gothic reached its apogee in the late 1790s, when it secured a third share of the novel market, after which it withered. Fr...
South French Gothic
South French Gothic
The main purpose of the monograph is to reveal the deep and complex interrelation of the religious and mystical paradigm of the original "Occitan civilization" of the South of Fran...
Cain’s Castles
Cain’s Castles
In Chapter 1, the Reformation is presented as the paradigmatic site of Gothic escape: the evil monastery can be traced back to Wycliffe’s ‘Cain’s castles’ and the fictional abbey r...
The Screen Media Reader
The Screen Media Reader
As mobile communication, social media, wireless networks, and flexible user interfaces become prominent topics in the study of media and culture, the screen emerges as a critical r...
Girl Detectives and Gothic Femininity
Girl Detectives and Gothic Femininity
Megan Abbott has authored twelve novels, co-created a TV series, and is a respected critical scholar on crime fiction and domestic noir. This is the first book-length study of her ...
English Gothic Literature
English Gothic Literature
The centuries between 1100 and 1500 were the crucible in which English language and literature, after the blow of the Norman Conquest, were reformed with results that affected all ...
Production Design for Screen
Production Design for Screen
Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to vi...
Agatha Christie and Gothic Horror
Agatha Christie and Gothic Horror
Agatha Christie’s work has been adapted extensively resulting in transformations that are both textual and cultural. While many adaptations are best known for being quaint murder m...

Back to Top