SOUND/BODY

“My sound body is the ghostly embrace that physically envelops the listener, with acoustic energy. Feel my presence, as I hide in plain sight.” This exposition explores the role of surround sound in filmmaking, its strength and pitfalls in space-making, as well as its viability as an image-making device. The author challenges conservative usage of surround sound, advocating for a playful and resistant approach; with the aim to create active and immersive spatial soundscapes where each audience member can experience their own "sweet spot." They reflect on the limitations of traditional cinema sound and express their desire to empower listeners with a dense and rich auditory experience. By focusing on capturing authentic acoustic spaces, challenging traditional recording practices, and exploring a resistant approach to surround sound; the author highlights the unique relationship between sound, image, and space; and how their interplay can evoke various impressions. The text delves into the author's artistic approach to working with surround-scapes (surround-soundscapes), highlighting different strategies and providing examples from films and games. Three surround-aesthetics are defined and named, which the author refers to as "rooms." The transformative power of sound is underscored, with a focus on embracing vulnerability and fluidity as sources of strength. Through the context of foley-practice and surround-scaping; this exposition questions the role and reach of the author's body - a sound body.