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Introduction: Chastity and the Question of Value
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The introduction demonstrates that chastity discourse resonates strongly with commercial discourses about currency, commodities, and value. It mines mercantile tracts, conduct books, and writings about life in commercial London to show how early moderns interpreted rapidly shifting evaluations of currency, commodities, and selfhood. Readings of several primary texts elucidate the significance of chastity within English national discourse and establishe linkages between the epistemological questions surrounding chastity and those concerning commerce. The introduction also addresses the material conditions of the theatre, as the theatre’s commercial investments and embodied, often cross-dressed modes of representation heighten its concern with questions of value, commoditisation, and economic subjectivity. This opening chapter lays the groundwork for
Chaste Value
’s central claim that the public theatre engages with economic chastity discourse as a means of working through questions of personal value in early capitalist England.
Title: Introduction: Chastity and the Question of Value
Description:
The introduction demonstrates that chastity discourse resonates strongly with commercial discourses about currency, commodities, and value.
It mines mercantile tracts, conduct books, and writings about life in commercial London to show how early moderns interpreted rapidly shifting evaluations of currency, commodities, and selfhood.
Readings of several primary texts elucidate the significance of chastity within English national discourse and establishe linkages between the epistemological questions surrounding chastity and those concerning commerce.
The introduction also addresses the material conditions of the theatre, as the theatre’s commercial investments and embodied, often cross-dressed modes of representation heighten its concern with questions of value, commoditisation, and economic subjectivity.
This opening chapter lays the groundwork for
Chaste Value
’s central claim that the public theatre engages with economic chastity discourse as a means of working through questions of personal value in early capitalist England.
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