Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Oceanic Fiction, W. Clark Russell, and Twain's Sequel to “Fenimore Cooper's Literary Offenses”

View through CrossRef
Abstract Twain's unfinished essay on William Clark Russell's Wreck of the Grosvenor (1877) was intended as a follow-up to “Fenimore Cooper's Literary Offenses.” In topic and content, Twain's Grosvenor essay recontextualizes how we read its famous predecessor. Unlike the Cooper essay—so often framed by textbooks as an American-centric statement on literary values—Twain's essay on Russell targets a still-living English writer and highly praises his compositions. Moreover, Russell wrote in a genre (the sea narrative) that, as oceanic studies scholars have suggested, decenters nationalism. Twain enjoyed Russell's naval fiction throughout his life, evinced by journal entries, letters, and an aborted burlesque of sea stories. Ultimately, Twain's genuine admiration for Russell's work made it hard for him muster the same comedic vitriol for British sea narratives that he did for Cooper's historical novels.
The Pennsylvania State University Press
Title: Oceanic Fiction, W. Clark Russell, and Twain's Sequel to “Fenimore Cooper's Literary Offenses”
Description:
Abstract Twain's unfinished essay on William Clark Russell's Wreck of the Grosvenor (1877) was intended as a follow-up to “Fenimore Cooper's Literary Offenses.
” In topic and content, Twain's Grosvenor essay recontextualizes how we read its famous predecessor.
Unlike the Cooper essay—so often framed by textbooks as an American-centric statement on literary values—Twain's essay on Russell targets a still-living English writer and highly praises his compositions.
Moreover, Russell wrote in a genre (the sea narrative) that, as oceanic studies scholars have suggested, decenters nationalism.
Twain enjoyed Russell's naval fiction throughout his life, evinced by journal entries, letters, and an aborted burlesque of sea stories.
Ultimately, Twain's genuine admiration for Russell's work made it hard for him muster the same comedic vitriol for British sea narratives that he did for Cooper's historical novels.

Related Results

James Fenimore Cooper
James Fenimore Cooper
The preeminent American novelist of the first half of the 19th century, James Fenimore Cooper (b. 1789–d. 1851) was a prolific writer best known for his five-novel saga The Leather...
Some issues of administrative offenses
Some issues of administrative offenses
The article examines the study of the content and structure of administrative offenses (torts) during martial law, specifies their theoretical and practical basis. A detailed...
Beneath Mark Twain
Beneath Mark Twain
Abstract A paragraph written by David S. Reynolds, buried in the middle of his Introduction for the 1995 edition of the George Lippard's The Quaker City; or, The Mon...
Primerjalna književnost na prelomu tisočletja
Primerjalna književnost na prelomu tisočletja
In a comprehensive and at times critical manner, this volume seeks to shed light on the development of events in Western (i.e., European and North American) comparative literature ...
Anna Julia Cooper
Anna Julia Cooper
A renowned educator, author, activist, and scholar, Anna Julia (Haywood) Cooper (b. 1858–d. 1964) was born into slavery on 10 August in Raleigh, North Carolina, to mother, Hannah S...
Theorizing Twain: A Personal View
Theorizing Twain: A Personal View
AbstractHow and why should Mark Twain scholars use literary theory? Although the American academy is no longer under the mandate to “theorize” everything, theory is still with us, ...
Disciplinary offenses of prisoners on legislation Spain
Disciplinary offenses of prisoners on legislation Spain
Subject of research: a disciplinary offense is a legal basis for bringing prisoners to justice. Purpose of the study: formulation of proposals about the possibility of using ...
Speculative Fiction
Speculative Fiction
The term “speculative fiction” has three historically located meanings: a subgenre of science fiction that deals with human rather than technological problems, a genre distinct fro...

Back to Top