Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Countee Cullen

View through CrossRef
Countee Cullen (b. 1903–d. 1946) was born in 1903, probably in Louisville, Kentucky, though the circumstances are unclear in large part because Cullen gave conflicting accounts of his birth and early childhood. He was adopted at age fifteen by the Reverend Dr. Frederick A. Cullen and Carolyn Belle Cullen of Harlem’s Salem Methodist Episcopal Church and changed his name shortly thereafter from Countee L. Porter to Countee P. Cullen and finally simply Countee Cullen. His prize-winning poem “I Have a Rendezvous with Life” brought him to the attention of Black artists and leaders. In 1922 he matriculated with a Regents scholarship at New York University, where he studied with Hyder E. Rollins, a John Keats scholar under whose guidance he wrote a thesis on Edna St. Vincent Millay. Cullen completed an MA at Harvard in 1926, around the same time that his first book, Color, appeared to overwhelming acclaim, making him, at age twenty-two, the most celebrated writer of the Harlem Renaissance. The success of Color helped Cullen secure a regular literary column, “The Dark Tower,” at Opportunity that further confirmed his status as “the New Negro poet laureate.” Three books came out in 1927: The Ballad of the Brown Girl, an updated and racially inflected retelling of an English ballad; Copper Sun, which many readers felt did not live up to the promise of Color; and Caroling Dusk, an edited collection in which Cullen argued that Negro writers should not have to write about race only and had perhaps a greater kinship to the English poetic tradition than to anything inherited from Africa. Cullen would never entirely recover professionally from the critical reaction to this stance. His 1928 marriage in Harlem to Yolande Du Bois, the daughter of W. E. B. Du Bois, the editor of Crisis, dissolved less than two years later amid rumors about Cullen’s homosexuality, later confirmed, and his relationship with his longtime friend Harold Jackman. After 1927 Cullen published more poetry, including The Black Christ, and Other Poems (1929) and The Medea, and Some Poems (1935), the first prose translation of a major Greek drama by a Black American writer. His only novel, One Way to Heaven, appeared in 1932. Cullen taught junior high English and French in New York from 1934 until his death in 1946 of high blood pressure and uremic poisoning. During that time, he published two children’s books and prepared a manuscript of his selected poems, which was published posthumously in 1947 as On These I Stand.
Oxford University Press
Title: Countee Cullen
Description:
Countee Cullen (b.
1903–d.
1946) was born in 1903, probably in Louisville, Kentucky, though the circumstances are unclear in large part because Cullen gave conflicting accounts of his birth and early childhood.
He was adopted at age fifteen by the Reverend Dr.
Frederick A.
Cullen and Carolyn Belle Cullen of Harlem’s Salem Methodist Episcopal Church and changed his name shortly thereafter from Countee L.
Porter to Countee P.
Cullen and finally simply Countee Cullen.
His prize-winning poem “I Have a Rendezvous with Life” brought him to the attention of Black artists and leaders.
In 1922 he matriculated with a Regents scholarship at New York University, where he studied with Hyder E.
Rollins, a John Keats scholar under whose guidance he wrote a thesis on Edna St.
Vincent Millay.
Cullen completed an MA at Harvard in 1926, around the same time that his first book, Color, appeared to overwhelming acclaim, making him, at age twenty-two, the most celebrated writer of the Harlem Renaissance.
The success of Color helped Cullen secure a regular literary column, “The Dark Tower,” at Opportunity that further confirmed his status as “the New Negro poet laureate.
” Three books came out in 1927: The Ballad of the Brown Girl, an updated and racially inflected retelling of an English ballad; Copper Sun, which many readers felt did not live up to the promise of Color; and Caroling Dusk, an edited collection in which Cullen argued that Negro writers should not have to write about race only and had perhaps a greater kinship to the English poetic tradition than to anything inherited from Africa.
Cullen would never entirely recover professionally from the critical reaction to this stance.
His 1928 marriage in Harlem to Yolande Du Bois, the daughter of W.
 E.
 B.
Du Bois, the editor of Crisis, dissolved less than two years later amid rumors about Cullen’s homosexuality, later confirmed, and his relationship with his longtime friend Harold Jackman.
After 1927 Cullen published more poetry, including The Black Christ, and Other Poems (1929) and The Medea, and Some Poems (1935), the first prose translation of a major Greek drama by a Black American writer.
His only novel, One Way to Heaven, appeared in 1932.
Cullen taught junior high English and French in New York from 1934 until his death in 1946 of high blood pressure and uremic poisoning.
During that time, he published two children’s books and prepared a manuscript of his selected poems, which was published posthumously in 1947 as On These I Stand.

Related Results

Czar Cullen: Police Commissioner John Cullen and Coercive State Action in Early 20th Century NZ
Czar Cullen: Police Commissioner John Cullen and Coercive State Action in Early 20th Century NZ
<p>Given the central and inherently contested role of policing in the modern state, it is striking to note the generally limited historical interest in the place of policing ...
Copper Sun
Copper Sun
Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Har...
Antediluvian Sex: Countée Cullen, Christopher Smart, and the Queerness of Uplift
Antediluvian Sex: Countée Cullen, Christopher Smart, and the Queerness of Uplift
Reading Countée Cullen’s little known 1940 text The Lost Zoo (that imagines the animals left behind by the Biblical flood), this essay recovers the queerness of uplift discourses i...
Color
Color
Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Har...
Cognitive Behaviour Modification: Mediating with Mahoney
Cognitive Behaviour Modification: Mediating with Mahoney
Cullen and Gathercole's review (B.A.B.P. Bull., 1976, Vol.4) of Mahoney's book, Cognition & Behaviour Modification, Ballinger, 1974, prompts me to take up my pen in defense of ...
Like Lady Godiva
Like Lady Godiva
Introducing Lady Godiva through a Fan-Historical Lens The legend of Lady Godiva, who famously rode naked through the streets of Coventry, veiled only by her long, flowing hair, has...
COUNT DRACULA, LOUIS DE POINTE DU LAC AND EDWARD CULLEN: THE ARCHETYPAL SHIFT OF VAMPIRES FIGURES ACROSS THREE ERAS OF ENGLISH LITERATURE
COUNT DRACULA, LOUIS DE POINTE DU LAC AND EDWARD CULLEN: THE ARCHETYPAL SHIFT OF VAMPIRES FIGURES ACROSS THREE ERAS OF ENGLISH LITERATURE
The research aims at finding out the archetype, archetypal shift and the dominant archetype of vampire figures: Count Dracula, Louis de Pointe du Lac and Edward Cullen. The methods...

Back to Top