Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Chalice veil of hand-woven silk tissue, designed by Edmund Hunter for St. Edmundsbury Weavers, England, 1905-1910. Chalice veil of hand-woven silk tissue with a design of the symbols of the four Evangelists, bunches of grapes, and the letters Alpha and Om
View through Europeana Collections
Chalice veil of hand-woven silk tissue, designed by Edmund Hunter for St. Edmundsbury Weavers, England, 1905-1910. Chalice veil of hand-woven silk tissue with a design of the symbols of the four Evangelists, bunches of grapes, and the letters Alpha and Omega set in a wheel device.
Victoria and Albert Museum
Title: Chalice veil of hand-woven silk tissue, designed by Edmund Hunter for St. Edmundsbury Weavers, England, 1905-1910. Chalice veil of hand-woven silk tissue with a design of the symbols of the four Evangelists, bunches of grapes, and the letters Alpha and Om
Description:
Chalice veil of hand-woven silk tissue, designed by Edmund Hunter for St.
Edmundsbury Weavers, England, 1905-1910.
Chalice veil of hand-woven silk tissue with a design of the symbols of the four Evangelists, bunches of grapes, and the letters Alpha and Omega set in a wheel device.
.
Related Results
Chasuble of silk velvet with linen orphrey embroidered in silk, floss silk, and gold and silver-gilt threads, made in Italy and England, 15th century-17th century. Chasuble of crimson silk velvet stamped with a pattern of scrolling leaves and flowers. Out
Chasuble of silk velvet with linen orphrey embroidered in silk, floss silk, and gold and silver-gilt threads, made in Italy and England, 15th century-17th century. Chasuble of crimson silk velvet stamped with a pattern of scrolling leaves and flowers. Out
Chasuble of silk velvet with linen orphrey embroidered in silk, floss silk, and gold and silver-gilt threads, made in Italy and England, 15th century-17th century. Chasuble of crim...
Dance belt
Dance belt
674-3, 6°Kachina dance sash (in two halves); ta-kun-i-kwi-kya-tsi-napa, or kâkâthléom (TK); cotton, wool, pigments; l. 102 cm. (without fringe), w. 26.5 cm.; ca. 1880.‖ The oldest ...
Dance belt
Dance belt
362-187Hopi woven belt, faja (TK); wool; l. 239 cm., w. 9 cm.; ca. 1880.\Such belts were usually used by women to secure their dress, but on ceremonial occasions men adopted these ...
Cope made of silk damask, lined with silk and with a hood and orphreys of canvas covered with silk damask and embroidered, designed by Sir Ninian Comper, woven by Perkins and Sons Ltd., and embroidered by the Sisters of Bethany's School of Embroidery, Lon
Cope made of silk damask, lined with silk and with a hood and orphreys of canvas covered with silk damask and embroidered, designed by Sir Ninian Comper, woven by Perkins and Sons Ltd., and embroidered by the Sisters of Bethany's School of Embroidery, Lon
Cope made of silk damask, lined with silk and with a hood and orphreys of canvas covered with silk damask and embroidered, designed by Sir Ninian Comper, woven by Perkins and Sons ...
The Martyrdom of Saint Mark
The Martyrdom of Saint Mark
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint Mark the Evangelist
Saint Mark the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint Matthew the Evangelist
Saint Matthew the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...