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Meissen‘s porcelain sculpture «Flower-girl» of the xix century in the context of migration of models
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В статье представлен опыт атрибуции произведения фарфоровой пластики Мейсенской мануфактуры середины XIX века из собрания Екатеринбургского музея изобразительных искусств. Приводятся сведения об источнике модели рассматриваемого произведения и его художественных особенностях, раскрывается контекст практически одновременного появления в ассортименте как немецких, так и отечественных фарфоровых предприятий произведений, созданных по одной модели. Рассмотренный кейс позволяет сделать вывод о достаточно высокой степени условности художественных границ в европейском искусстве XVIII-XIX веков и активизации процессов миграции художественных моделей в европейском декоративно-прикладном искусстве эпохи историзма. Статья подготовлена на основе доклада, озвученного на VII Всероссийской научно-практической конференции «Проблемы атрибуции памятников декоративно-прикладного искусства XVI-XX вв.», которая состоялась 19-21 октября 2021 г. в Государственном историческом музее (Москва).
The article presents the experience of attribution of a work of porcelain sculpture by the Meissen manufactory of the middle of the 19th century from the collection of the Yekaterinburg Museum of Fine Arts. The article provides information about the source of the model of the work in question and its artistic features. The context of the almost simultaneous appearance in the assortment of both German and Russian porcelain factories of sculptures created according to the same model is revealed. The considered case allows us to conclude that there is a high degree of conventionality of artistic boundaries in European art of the 18th - 19th centuries, and the intensification of the migration of models and samples in European decorative art of the period of historicism The article provides information voiced in the framework of report of VII All-Russian scientific and practical conference “Problems of attribution of artworks of decorative arts of the 18th-20th centuries”, which took place on October 19-21, 2021, at the State Historical Museum (Moscow).
Branch CIRD of the Ministry of Construction and Housing and Communal Services of the Russian Federation the Badge of Honor Ural Research and Design Institute
Title: Meissen‘s porcelain sculpture «Flower-girl» of the xix century in the context of migration of models
Description:
В статье представлен опыт атрибуции произведения фарфоровой пластики Мейсенской мануфактуры середины XIX века из собрания Екатеринбургского музея изобразительных искусств.
Приводятся сведения об источнике модели рассматриваемого произведения и его художественных особенностях, раскрывается контекст практически одновременного появления в ассортименте как немецких, так и отечественных фарфоровых предприятий произведений, созданных по одной модели.
Рассмотренный кейс позволяет сделать вывод о достаточно высокой степени условности художественных границ в европейском искусстве XVIII-XIX веков и активизации процессов миграции художественных моделей в европейском декоративно-прикладном искусстве эпохи историзма.
Статья подготовлена на основе доклада, озвученного на VII Всероссийской научно-практической конференции «Проблемы атрибуции памятников декоративно-прикладного искусства XVI-XX вв.
», которая состоялась 19-21 октября 2021 г.
в Государственном историческом музее (Москва).
The article presents the experience of attribution of a work of porcelain sculpture by the Meissen manufactory of the middle of the 19th century from the collection of the Yekaterinburg Museum of Fine Arts.
The article provides information about the source of the model of the work in question and its artistic features.
The context of the almost simultaneous appearance in the assortment of both German and Russian porcelain factories of sculptures created according to the same model is revealed.
The considered case allows us to conclude that there is a high degree of conventionality of artistic boundaries in European art of the 18th - 19th centuries, and the intensification of the migration of models and samples in European decorative art of the period of historicism The article provides information voiced in the framework of report of VII All-Russian scientific and practical conference “Problems of attribution of artworks of decorative arts of the 18th-20th centuries”, which took place on October 19-21, 2021, at the State Historical Museum (Moscow).
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