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Miranda, Francisco de
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Abstract
Francisco de Miranda (1750–1816), known as El Precursor (the Precursor) in Latin America, belongs in the canon of Latino Literature as a contrapuntal figure to the better-known and frequently anthologized Álvar Nuñez, Cabeza de Vaca, and as a critical Hispanic voice amidst better-known European travelers such as Alexis de Tocqueville. Miranda’s journey can be considered within the context of his dramatic transatlantic life and the broader historiography. In the Viaje por los Estados Unidos, 1783–1784, translated as The New Democracy in America: Travels of Francisco de Miranda in the United States, 1783–1784, Miranda articulates a hemispheric consciousness that anticipates the impact of Latino immigration in the American story, turning it into a North–South narrative, as well recent developments in American studies. At the same time, he opens a space for sovereignty in Latin America. Through his experiences in the United States, Miranda confronts the limits of a democracy predicated on exclusionary categories of race, gender, and class. Finally, Miranda can be considered an early exponent of Romanticism in the Hispanophone world in his engagement with the historical sublime and his construction of an autobiographical subject who is conscious of being a historical agent.
Oxford University PressNew York, NY
Title: Miranda, Francisco de
Description:
Abstract
Francisco de Miranda (1750–1816), known as El Precursor (the Precursor) in Latin America, belongs in the canon of Latino Literature as a contrapuntal figure to the better-known and frequently anthologized Álvar Nuñez, Cabeza de Vaca, and as a critical Hispanic voice amidst better-known European travelers such as Alexis de Tocqueville.
Miranda’s journey can be considered within the context of his dramatic transatlantic life and the broader historiography.
In the Viaje por los Estados Unidos, 1783–1784, translated as The New Democracy in America: Travels of Francisco de Miranda in the United States, 1783–1784, Miranda articulates a hemispheric consciousness that anticipates the impact of Latino immigration in the American story, turning it into a North–South narrative, as well recent developments in American studies.
At the same time, he opens a space for sovereignty in Latin America.
Through his experiences in the United States, Miranda confronts the limits of a democracy predicated on exclusionary categories of race, gender, and class.
Finally, Miranda can be considered an early exponent of Romanticism in the Hispanophone world in his engagement with the historical sublime and his construction of an autobiographical subject who is conscious of being a historical agent.
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