Javascript must be enabled to continue!
Preparatory Drawing of an Elephant Combat
View through Harvard Museums
At the center of the page are two large elephants on their back legs and colliding with each other. Lines of red and black demonstrate the artist working, reworking, and detailing the figures. The traces of opaque white watercolor around the bottom edges of the elephant on the right show the artist masking his changes to the figure. The immense impact of the elephants is signified through the sketched-out elephant drivers (mahouts), who lean back with their arms in the air. Each elephant driver carries an elephant goad (ankus) in his hand, which is used to control and manipulate the animal’s movement. There is an attendant holding onto the back of the elephant on the right. In the bottom left corner is a sketched-out platform with a group of figures. These figures, which are roughly sketched, bear suggestions of wearing turbans and carrying shields. Rajput Style, Kota School.
Department of Islamic & Later Indian Art
Stuart Cary Welch (by 1969 - 2008 ) by descent; to his estate (2008-2009 ) gift; to Harvard Art Museum.
Notes:
Object was part of temporary loan to Museum in 1969.
Harvard Art Museums/Arthur M. Sackler Museum The Stuart Cary Welch Collection Gift of Edith I. Welch in memory of Stuart Cary Welch
Title: Preparatory Drawing of an Elephant Combat
Description:
At the center of the page are two large elephants on their back legs and colliding with each other.
Lines of red and black demonstrate the artist working, reworking, and detailing the figures.
The traces of opaque white watercolor around the bottom edges of the elephant on the right show the artist masking his changes to the figure.
The immense impact of the elephants is signified through the sketched-out elephant drivers (mahouts), who lean back with their arms in the air.
Each elephant driver carries an elephant goad (ankus) in his hand, which is used to control and manipulate the animal’s movement.
There is an attendant holding onto the back of the elephant on the right.
In the bottom left corner is a sketched-out platform with a group of figures.
These figures, which are roughly sketched, bear suggestions of wearing turbans and carrying shields.
Rajput Style, Kota School.
Related Results
Attendant on Horseback Subduing an Elephant
Attendant on Horseback Subduing an Elephant
A large elephant, with a chain around the front right leg, charges at a man on horseback. The gray horse with white speckles rears and twists its head, mouth agape, to face the ele...
Kota Ruler Watches an Elephant Combat
Kota Ruler Watches an Elephant Combat
The drawing features an elephant combat gone awry. The royal spectacle of an elephant combat consists of two elephants fighting with a wall in between. The wall is intended to prev...
Frontal View of an Elephant Chasing a Horseman
Frontal View of an Elephant Chasing a Horseman
The page features a large elephant, viewed from the front, charging at a male figure on horseback. Sitting on top of the elephant is the elephant driver (mahout). He wears a large,...
Figur. Rökelsehållare. Kangxi, Qingdynastin.
Figur. Rökelsehållare. Kangxi, Qingdynastin.
FIGURE. Elephant White, standing with his head bent down and turned to the right. The body shaped in vaults and spirals. On the back a brown saddle, saddle cover in brown and yello...
Elephants Approaching a Palace (recto, fragment); Pricked drawing of Matsya, Visnhu’s Fish Avatar (verso, fragment)
Elephants Approaching a Palace (recto, fragment); Pricked drawing of Matsya, Visnhu’s Fish Avatar (verso, fragment)
On the recto side of this page is a large caparisoned elephant approaching a palace with its trunk raised up, saluting a figure on the palace’s balcony. Due to the missing portion ...
Nobleman and Trainer Mounted on an Elephant
Nobleman and Trainer Mounted on an Elephant
Seated at the base of the neck of an elephant is a Rajput nobleman, identified by the type of earring he wears and turban style. He carries an elephant goad (ankus) in his left han...
Rao Ram Singh I of Kota, as a Prince, Slays a Rhinoceros from an Elephant
Rao Ram Singh I of Kota, as a Prince, Slays a Rhinoceros from an Elephant
This prepratory drawing, for a wall painting for the Chhatra Mahal in Kotah, features Rao Ram Singh I of Kota (r. 1667-88) as a young prince hunting a rhinocerous while on an eleph...
Elephant Combat
Elephant Combat
The drawing features two elephants charging at, and colliding with one another. Each elephant driver (mahout) wears a turban, and a robe (jama). The driver on the left holds his ...

