GENDING PEWAYANGAN

Traditional music Gending Pewayangan one of the many traditional music ensembles that exist in the Sasak tribe in Lombok Timur which needs to be done in-depth analysis because there has not been much research on this case in previous studies. This paper is based on the results of research that focuses on the shape and structure of gending in accordance with the instrument and notation as a way to preserve this art on an ongoing basis, which aims to describe the shape and structure of Gending Pewayangan in Lombok Timur using qualitative descriptive methods, data in the form of observations of game visualizations , audio and documents. Data collection is done by observation, interview and documentation using four stages of data analysis namely, data collection, data reduction, data display, and conclusion drawing / verification. The results and conclusions of this paper are as follows: Structure in Gending Pewayangan is divided into 1) Introduction, 2) Exposition, 3) Bridge, and 4) Coda. Gending Pewayangan is divided into three forms, namely 1) Gending Penyaji at introduction and exposition , 2) Gending Pendodok Roh on Bridge, and 3) Gending Pakon on Coda.