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Olga Neuwirth, Orlando. Wiener Staatsoper, December 2019.
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The Vienna State Opera made headlines around the world last December, boasting that it had finally commissioned a full-scale opera by a female composer. Olga Neuwirth, known for her difficult, unrestrained character (both musical and personal), was a curious and adventurous choice for the Wiener Staatsoper, the embassy of a conservative cultural landscape and gatekeeper of highbrow art. Choosing Virginia Woolf's seminal novel about a poet who lives through the ages and who one day miraculously changes sexes was a fitting choice for this maverick, whose work blurs the lines between genius – in all its anachronistic complexities – and fremdschämend, the well-established German equivalent of the facepalm, always scoring particularly high on listicles of ‘quintessential German words’.
Title: Olga Neuwirth, Orlando. Wiener Staatsoper, December 2019.
Description:
The Vienna State Opera made headlines around the world last December, boasting that it had finally commissioned a full-scale opera by a female composer.
Olga Neuwirth, known for her difficult, unrestrained character (both musical and personal), was a curious and adventurous choice for the Wiener Staatsoper, the embassy of a conservative cultural landscape and gatekeeper of highbrow art.
Choosing Virginia Woolf's seminal novel about a poet who lives through the ages and who one day miraculously changes sexes was a fitting choice for this maverick, whose work blurs the lines between genius – in all its anachronistic complexities – and fremdschämend, the well-established German equivalent of the facepalm, always scoring particularly high on listicles of ‘quintessential German words’.
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