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THE CARNYX ON CELTIC AND ROMAN REPUBLICAN COINAGE

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This paper explores the cross-cultural portrayals of an unusual and striking musical instrument, the carnyx, on the coinages of the Romans and the inhabitants of Iron Age Britain and Gaul. Fashioned as a snarling boar, the carnyx was a war horn used by the Gauls and Britons that not only captivated the minds of their artists, but also those of the Romans. This paper studies the cross-cultural phenomenon of its appearance in the coin iconography of the late second to late first centuriesbc. This simultaneous analysis of Roman, Gallic and British coinage reveals that while each culture had a shared belief in the carnyx’s military role, each culture also had its own interpretation of the object’s significance. To the Romans, it was a symbol of the barbarian, to be cherished as a war trophy after a Roman victory, but to those northern Europeans, it was a sign of pride and spiritual significance. An image’s meaning is, therefore, seen to transform as it crosses into a new cultural context.
Cambridge University Press (CUP)
Title: THE CARNYX ON CELTIC AND ROMAN REPUBLICAN COINAGE
Description:
This paper explores the cross-cultural portrayals of an unusual and striking musical instrument, the carnyx, on the coinages of the Romans and the inhabitants of Iron Age Britain and Gaul.
Fashioned as a snarling boar, the carnyx was a war horn used by the Gauls and Britons that not only captivated the minds of their artists, but also those of the Romans.
This paper studies the cross-cultural phenomenon of its appearance in the coin iconography of the late second to late first centuriesbc.
This simultaneous analysis of Roman, Gallic and British coinage reveals that while each culture had a shared belief in the carnyx’s military role, each culture also had its own interpretation of the object’s significance.
To the Romans, it was a symbol of the barbarian, to be cherished as a war trophy after a Roman victory, but to those northern Europeans, it was a sign of pride and spiritual significance.
An image’s meaning is, therefore, seen to transform as it crosses into a new cultural context.

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