Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Celtic Mirror from Great Chesterford

View through CrossRef
The mirror is likely to have come from a lady’s grave: no details of the find are available. There is in the parish a well-known cemetery dating from the beginning of the Early Iron Age.The overall length of the mirror with its handle (PLATE XXVI) is 23·5 cm. (11·75 in.); the diameter of the plate is 16·3 cm. (8·15 in.). This has a delicate incised line round its circumference, close to the edge, back and front, as the photographs show.The face of the mirror is smooth and glossy: the piece suffered some damage when disclosed—probably by a plough-share. It is thus slightly bent at the top (losing, here, its smooth reflecting surface), and the handle has been wrenched, causing a crack in the plate to the right and above it. It should be noted that there is no loss of detail of the pattern on the mirror-back resulting from this crack: the dark strip on the photograph (PLATE XXVII) is, in part, a shadow cast by lateral displacement.
Cambridge University Press (CUP)
Title: A Celtic Mirror from Great Chesterford
Description:
The mirror is likely to have come from a lady’s grave: no details of the find are available.
There is in the parish a well-known cemetery dating from the beginning of the Early Iron Age.
The overall length of the mirror with its handle (PLATE XXVI) is 23·5 cm.
(11·75 in.
); the diameter of the plate is 16·3 cm.
(8·15 in.
).
This has a delicate incised line round its circumference, close to the edge, back and front, as the photographs show.
The face of the mirror is smooth and glossy: the piece suffered some damage when disclosed—probably by a plough-share.
It is thus slightly bent at the top (losing, here, its smooth reflecting surface), and the handle has been wrenched, causing a crack in the plate to the right and above it.
It should be noted that there is no loss of detail of the pattern on the mirror-back resulting from this crack: the dark strip on the photograph (PLATE XXVII) is, in part, a shadow cast by lateral displacement.

Related Results

Time and Trace: The Mirror of Time
Time and Trace: The Mirror of Time
Diego Velázquez’s Las Meninas is certainly one of the philosophically most interesting, most ambitious and most discussed paintings of all times. It contains a philosophical thesis...
‘Beowulf’ and the Celtic World: The Uses of Evidence
‘Beowulf’ and the Celtic World: The Uses of Evidence
Sporadic attempts have been made in the past to demonstrate direct connexions between the various Celtic literatures andBeowulf; I think it fair to say that the proposed links have...
The Settlements of the Celtic Saints in South Wales
The Settlements of the Celtic Saints in South Wales
A Considerable literature has grown up in an attempt to interpret the Lives of the Celtic Saints. It is, however, concerned almost exclusively with hagiological, textual and litera...
Boekbespreking / Book Review
Boekbespreking / Book Review
AbstractThe past fifty years have witnesses a renewed interest in Arnold Houbraken's Great Theatre as an object of study and a source of information for art historians. Hendrik Hor...
Freemasonry and the Occult at the Court of Peter the Great
Freemasonry and the Occult at the Court of Peter the Great
AbstractThe reign of Peter the Great is regarded as one of the most significant and contentious epochs in Russian history. It has been customary to view the reforms of the period a...
A Late Celtic Bronze Mirror from Wales
A Late Celtic Bronze Mirror from Wales
The two objects shown in the illustrations, a bronze mirror and a platter of tinned bronze, were found together at Pant Fadog, on the farm of Llechwedd Du Bach, near the road from ...
Drawing to mirror, destabilize and enact
Drawing to mirror, destabilize and enact
This article reflects upon an artist residency at the School of Life Sciences, University of Dundee, hosted by Parkinson’s disease research. It examines three distinct ways in whic...
Do Leonardo da Vinci’s drawings, room acoustics and radio astronomy have anything in common?
Do Leonardo da Vinci’s drawings, room acoustics and radio astronomy have anything in common?
AbstractAfter introducing Leonardo da Vinci’s (LdV) predecessors in the field of light propagation research, his drawings on the topic of reflecting light by a spherical mirror are...

Recent Results

Crazy
Crazy
Wilfred Bion, a mid-twentieth-century pioneer of the psychoanalysis of groups, described a group as the repository of the mad parts of ourselves. The group helps us to tame our mad...
Urban and Spatial Planning: Pragmatic Considerations for Plan Implementation Improvements (A Case Study of the City of Bor)
Urban and Spatial Planning: Pragmatic Considerations for Plan Implementation Improvements (A Case Study of the City of Bor)
The main task of planning documents is to achieve maximal rationality in the use of space, spatial resources, and balanced territorial development. The preparation of plans is regu...
Making Ways of Seeing: A Conversation with Mike Dibb and Richard Hollis
Making Ways of Seeing: A Conversation with Mike Dibb and Richard Hollis
In 1971, Stephen Hearst, head of the BBC Music and Arts department, commissioned John Berger to make a television series on topics of his choosing. With Mike Dibb, then a young pro...
Modern aspects of the etiology and pathogenesis of hyperplastic endometrial processes
Modern aspects of the etiology and pathogenesis of hyperplastic endometrial processes
The article presents modern approaches to the etiology, classification and pathogenesis of endometrial hyperplastic processes. Hyperplastic processes of the endometrium, representi...

Back to Top