Javascript must be enabled to continue!
Textile Fragment: Duck and Flowers
View through Harvard Museums
Against a red background, a duck woven from undyed wool with red details walks along a slightly sloping, stylized ground line. The duck is framed by a thin square line of undyed wool. Blue, green, and yellow buds and rosettes form a wide border surrounding the duck and fill the remainder of the red background. The repeating block motif below the ground line echoes the dentil border surrounding the red square. A black line at top of the fragment hints at the textile's additional decoration that is now lost.
The duck’s red feathers and eye are executed in the flying shuttle technique of supplementary weft wrapping. In the areas of the six colored rosettes, three supplementary weft floats are introduced to create the diagonal and vertical lines separating the petals. These wefts then form a tapestry weave of 10 picks making up the centers of the flowers, and then again become supplementary floats over the tapestry woven petals.
Department of Ancient and Byzantine Art & Numismatics
Harvard Art Museums/Arthur M. Sackler Museum Gift of Charles Bain Hoyt
Title: Textile Fragment: Duck and Flowers
Description:
Against a red background, a duck woven from undyed wool with red details walks along a slightly sloping, stylized ground line.
The duck is framed by a thin square line of undyed wool.
Blue, green, and yellow buds and rosettes form a wide border surrounding the duck and fill the remainder of the red background.
The repeating block motif below the ground line echoes the dentil border surrounding the red square.
A black line at top of the fragment hints at the textile's additional decoration that is now lost.
The duck’s red feathers and eye are executed in the flying shuttle technique of supplementary weft wrapping.
In the areas of the six colored rosettes, three supplementary weft floats are introduced to create the diagonal and vertical lines separating the petals.
These wefts then form a tapestry weave of 10 picks making up the centers of the flowers, and then again become supplementary floats over the tapestry woven petals.
Related Results
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one...
Epigraphic Textile
Epigraphic Textile
On the central section of this textile, an inscription in monumental thuluth script is repeated twelve times. The text comes from the Sura al-Fath (Victory, 48:3): “And that Allah...
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figure...
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes ...
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and g...
Epigraphic Textile
Epigraphic Textile
The design of this textile panel consists entirely of religious texts and invocations, disposed in wide horizontal bands in thuluth script, alternating with narrow bands in kufic s...
Wedding dress consisting of a silk gauze and lace bodice, skirt, satin sash, collar, cape and silk fragment, probably made in Great Britain or France, ca. 1872-1874. Wedding dress consisting of a bodice, skirt, sash, collar, cape and silk fragment. The dr
Wedding dress consisting of a silk gauze and lace bodice, skirt, satin sash, collar, cape and silk fragment, probably made in Great Britain or France, ca. 1872-1874. Wedding dress consisting of a bodice, skirt, sash, collar, cape and silk fragment. The dr
Wedding dress consisting of a silk gauze and lace bodice, skirt, satin sash, collar, cape and silk fragment, probably made in Great Britain or France, ca. 1872-1874. Wedding dress ...
Roundel Fragment: Mounted Hunters and Animals
Roundel Fragment: Mounted Hunters and Animals
Fragment of a Sasanian-style roundel depicting a pair of hunters on horseback. This textile is an example of weft-faced compound weave (samite) with silk warps and wefts. The front...


