Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

October before October

View through CrossRef
Rachel Churner introduces essays by Annette Michelson and Rosalind Krauss on Soviet cinema, reprinted in conjunction with the centennial of the October revolution. Published in the early 1970s, these essays provide a glimpse into how the founders of October thought about the revolution—and, in particular, Sergei Eisenstein's film October, which commemorated the tenth anniversary of the revolution—in the years before they started their publication.
MIT Press - Journals
Title: October before October
Description:
Rachel Churner introduces essays by Annette Michelson and Rosalind Krauss on Soviet cinema, reprinted in conjunction with the centennial of the October revolution.
Published in the early 1970s, these essays provide a glimpse into how the founders of October thought about the revolution—and, in particular, Sergei Eisenstein's film October, which commemorated the tenth anniversary of the revolution—in the years before they started their publication.

Related Results

The intertwining – Damisch, Bois, and October’s rethinking of painting
The intertwining – Damisch, Bois, and October’s rethinking of painting
While most of Hubert Damisch’s major books have been made available in English since the publication of Yve-Alain Bois’ review essay ‘Painting as model’, it nonetheless remains a s...
Montage October: Dialectic of the Shot
Montage October: Dialectic of the Shot
In “Montage October,” which appeared in Artforum in January 1973, Rosalind Krauss argues that Sergei Eisenstein's 1928 film was not only a celebration of a Marxist victory but also...
Beginnings
Beginnings
Rosalind Krauss remembers a trip to the caves of Ruffignac, Les Combarelles, and Pech Merle in France with Annette Michelson, made to celebrate the tenth anniversary of October mag...
Art for October: Thai Cold War State Violence in Trauma Art
Art for October: Thai Cold War State Violence in Trauma Art
The visual artwork produced about Thai contemporary political trauma constitutes a “trauma art” expressing a politics of loss—loss of life, loss of history, and loss of leftist mem...
François Morellet/Sol LeWitt: A Case Study Revisited
François Morellet/Sol LeWitt: A Case Study Revisited
Resuming his examination of pseudomorphism from October 154, Yve-Alain Bois argues that the striking resemblances between works by François Morellet and Sol LeWitt are the result o...
antiquities market we deserve: 'Royal-Athena Galleries' (1942-2020)
antiquities market we deserve: 'Royal-Athena Galleries' (1942-2020)
On September 13, 2020 a quarter of a century had elapsed since the Swiss and Italian authorities raid in the Free Port of Geneva, on the warehouses of Giacomo Medici, later convict...
Remembering Michael Asher at the Art Institute of Chicago, 1982
Remembering Michael Asher at the Art Institute of Chicago, 1982
The groundbreaking career of Michael Asher, in all of its visual and conceptual diversity, following his death in October 2012, will have to be studied and remembered henceforth by...
Nothing Is Erased: Hubert Damisch and Jean Dubuffet
Nothing Is Erased: Hubert Damisch and Jean Dubuffet
Alongside his writings on the cloud, architecture, the Italian Renaissance, and cinema that established him as one of the most important art historians and philosophers working in ...

Recent Results

X-radiograph(s) of "Card Players"
X-radiograph(s) of "Card Players"
X-Radiograph Description: X-Radiograph X-Radiograph Settings: 5 ma, 50 kv, 30 sec. Burroughs Number: 4340 X-Radiograph(s) of: Artist: Caravaggio, Michelangelo Merisi da...

Back to Top