The arrest of Christ with St Peter cutting off Malchus’s ear

Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...

Stone sculpture; sandstone head. Orange-yellow fine-grained sandstone. Short hair, no fringe, cut around the ears, lumpy appearance as if thick and curly; there is a groove running...

William de Brailes is the only 13th-century English non-monastic illuminator known to have signed his work. His surname means 'from Brailes', a town in Warwickshire, about 30 miles...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

It was Friedländer who established the artistic personality of this anonymous artist working in Delft, and attributed the first group of works to his name. Taking his reference poi...

Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...

"Fig. 69. Fig. 70. \nPublished as the Act directs Sept.r 1. 1795, by N. Heideloff at the Gallery of Fashion Office, No. 90, Wardour Street.\"\nMode print from the London Magazine G...