Philippine cultural exhibition, 1953-1954

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without d...

Cultural issues have become a significant aspect of the sport psychology field. As clinicians develop their practice to include more diverse athletes and sport psychologists expand...

Metis : On the Surface is an exhibition of seven projects that range from installations to large urban restructuring proposals. The exhibition and the projects are by Metis, an ate...

Tremble Tremble was an exhibition curated by Tessa Giblin for the Irish pavilion of the 57th Venice Biennale 2017. The exhibition was a collaboration between Giblin and the Irish a...

What cultural appropriation is, how it is deployed in public discourse, and if and when it is harmful. What exactly is cultural appropriation? At one extreme are ...

Great exhibits are never an accident. Planning effective exhibits is a demanding process that requires the designer to consider many different aspects and navigate numerous pitfall...

Cultural political economy (CPE) is an approach to political economy that focuses on how economic systems, and their component parts, are products of specific human, technical, and...