Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Fortunatus and the Rhetorical Tradition: Panegyrics to Kings

View through CrossRef
Abstract Fortunatus’ earliest known poems for the Merovingian court were his epithalamium and panegyric (Poems,6. 1 and 1a) to Sigibert and Brunhild, delivered at Metz in 566. Such formal poetry is a fruitful point at which to begin a consideration of his work, and of his place as a poet in Merovingian society. His panegyrics to the Frankish kings form a series of poems in the same genre, composed over two decades from 567 to 587. Analysis of these poems enables us to chart Fortunatus’ development in technique, in ideas, and in his relationship to his patrons. Because of the strong conventions governing the genre, moreover, it is here that we can most easily make comparisons with earlier work in the same literary tradition, to see how the poet adapted a genre for a Merovingian audience, and how his role differed from that of earlier poets.
Oxford University PressOxford
Title: Fortunatus and the Rhetorical Tradition: Panegyrics to Kings
Description:
Abstract Fortunatus’ earliest known poems for the Merovingian court were his epithalamium and panegyric (Poems,6.
1 and 1a) to Sigibert and Brunhild, delivered at Metz in 566.
Such formal poetry is a fruitful point at which to begin a consideration of his work, and of his place as a poet in Merovingian society.
His panegyrics to the Frankish kings form a series of poems in the same genre, composed over two decades from 567 to 587.
Analysis of these poems enables us to chart Fortunatus’ development in technique, in ideas, and in his relationship to his patrons.
Because of the strong conventions governing the genre, moreover, it is here that we can most easily make comparisons with earlier work in the same literary tradition, to see how the poet adapted a genre for a Merovingian audience, and how his role differed from that of earlier poets.

Related Results

Fortunatus and the Rhetorical Tradition: Other Poems
Fortunatus and the Rhetorical Tradition: Other Poems
Abstract Fortunatus did not restrict his adaptation of the rhetorical tradition to panegyrics of the Merovingian kings. With the same purposeful imagination, the poe...
Venanzio Fortunato tra il Piave e la Loira Atti del terzo Convegno internazionale di studi
Venanzio Fortunato tra il Piave e la Loira Atti del terzo Convegno internazionale di studi
Over three decades after Venanzio Fortunato tra Italia e Francia (Treviso, 1993), and more than twenty years after the international confere...
Invitation or Sexual Harassment?
Invitation or Sexual Harassment?
This article aims to analyse an intercultural telephone invitation given by a Chinese tutor to an Australian student, and highlight general principles of intercultural invitations....
"Yes, these are the dog days, Fortunatus": W.H. Auden and the Latin Poet Venantius Fortunatus
"Yes, these are the dog days, Fortunatus": W.H. Auden and the Latin Poet Venantius Fortunatus
Abstract: W.H. Auden's "Under Sirius" (1949), constructed as an engaging interrogation of the Late Latin poet Venantius Fortunatus, has long been recognized as a vehicle for Auden'...
Confronting a Gens Ferox: Jews in the Poetry and Prose of Venantius Fortunatus
Confronting a Gens Ferox: Jews in the Poetry and Prose of Venantius Fortunatus
A sixth-century Italian émigré to Merovingian Francia, Venantius Fortunatus produced a diverse and voluminous corpus of both poetry and prose. Of his numerous compositions, few hav...
Fortunatus: Poet and Person
Fortunatus: Poet and Person
Abstract The irony of informal occasional verse is that, for all its appearance of intimacy, it can erect an impenetrable barrier of elegant trivia which distances a...
Performance of Jukun Panegyrics
Performance of Jukun Panegyrics
Abstract Although, from extant literature, Nigeria has been noted to have a considerable number of significant panegyrics, this variety seems to exclude the Jukun, an influenti...

Back to Top