Bauhaus 1919-1933: Workshops for Modernity

How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Gyorgy Kepes (...

Leaving home was the quintessential modern act for Chinese intellectuals in the early twentieth century, as home had come to represent cultural backwardness and oppression by the e...

Robert Scholes and Clifford Wulfman define modernism and modernity this way: “Modernity is a social condition. Modernism was a response to that condition.” Modernity “is an urban c...

Modernity can be understood as the cultivation of a fantasy about the past: in the case of choreomania, this ‘past’ was imagined as a rumbling horde, a Bacchic chorus against which...

Robert Scholes and Clifford Wulfman define modernism and modernity this way: “Modernity is a social condition. Modernism was a response to that condition.” Modernity “is an urban c...