Les manuscrits grecs enluminés de provenance italienne, IXe-XIe siècles

The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his author...

Chapter 1 addresses the disputed date and provenance of Joseph and Aseneth. The question of whether the tale is “Jewish or Christian?” is the central frame in which its provenance ...

This chapter begins a recontextualization of Goldoni’s Comédie-Italienne career with a panoramic view, analysing the position of the Italian theatre in the contemporary Parisian th...