Javascript must be enabled to continue!
Webern's Sketches (III)
View through CrossRef
The most extensive sketches in the volume are of a third movement for the String Trio op. 20. Thirty-one bars were completed and are headed ‘planned as third movement ofthe String Trio op. 20 (August 1927 broken off in Hafning)’. The sketches cover five densely-packed pages and are transcribed as Ex. 18. Many passages exist in two, three or even more versions but usually the earlier, superseded, attempts have been crossed out and it is possible to trace the final form by following a path through the maze of vi – de signs, asterisks and arrows. Occasionally, however, there are several versions of a single bar or motive, none of which have been deleted. In the interests of achieving a continuity so that Ex. 18 can be read—and even, perhaps, played—as a torso, I have, in each of these ambiguous places, selected the version which seemsto me to be the most nearly definitive. For example, when one variant has the word ‘gilt’ by it, this is the one I have also chosen, even though the other versions may not have been crossed out.
Title: Webern's Sketches (III)
Description:
The most extensive sketches in the volume are of a third movement for the String Trio op.
20.
Thirty-one bars were completed and are headed ‘planned as third movement ofthe String Trio op.
20 (August 1927 broken off in Hafning)’.
The sketches cover five densely-packed pages and are transcribed as Ex.
18.
Many passages exist in two, three or even more versions but usually the earlier, superseded, attempts have been crossed out and it is possible to trace the final form by following a path through the maze of vi – de signs, asterisks and arrows.
Occasionally, however, there are several versions of a single bar or motive, none of which have been deleted.
In the interests of achieving a continuity so that Ex.
18 can be read—and even, perhaps, played—as a torso, I have, in each of these ambiguous places, selected the version which seemsto me to be the most nearly definitive.
For example, when one variant has the word ‘gilt’ by it, this is the one I have also chosen, even though the other versions may not have been crossed out.
Related Results
Webern's Sketches (I)
Webern's Sketches (I)
In tempo 91 I wrote an article on the recently discovered and published sketches of Stravinsky's The Rite of Spring. Since that time an equally handsome volume of sketches by Anton...
Webern's Sketches (II)
Webern's Sketches (II)
The most extensive selection of plates in the volume (13 in all) is devoted to this work. It was originally conceived as a Concerto for Violin, Clarinet, Horn, Piano and String Orc...
Playing King
Playing King
The Swedish King Gustav III ruled from 1771 to 1792. His departure to the Russian war in1788 was staged as a grandiose spectacle. The King, who was also a playwright, made the dayo...
Minoan Chronology Reviewed
Minoan Chronology Reviewed
The system of Minoan chronology proposed by the late Sir Arthur Evans remained almost unchallenged for many years. The first hint that it might not be equally valid for all sites i...
Treatment of burn scars in Fitzpatrick phototype III patients with a combination of pulsed dye laser and non-ablative fractional resurfacing 1550 nm erbium:glass/1927 nm thulium laser devices
Treatment of burn scars in Fitzpatrick phototype III patients with a combination of pulsed dye laser and non-ablative fractional resurfacing 1550 nm erbium:glass/1927 nm thulium laser devices
Introduction: Burn scars cause cosmetic disfigurement and psychosocial distress. We present two Fitzpatrick phototype (FP) III patients with burn scars successfully treated with co...
Type III Trauma: Toward a More Effective Conceptualization of Psychological Trauma
Type III Trauma: Toward a More Effective Conceptualization of Psychological Trauma
Research on offenders and crime victims underscores the importance of identifying trauma-related events and treating their effects. The authors build on the work of psychiatrist Le...
Heidegger’s National-Humanism
Heidegger’s National-Humanism
Abstract
This paper is an attempt to think through Derrida’s newly discovered Geschlecht III, the third and missing installment of Derrida’s four part series on Heidegger and Gesch...
Approaching the Sketches for Beethoven's Hammerklavier Sonata
Approaching the Sketches for Beethoven's Hammerklavier Sonata
Contrary to his usual procedure, Beethoven seems to have composed the "Hammerklavier" Sonata without the aid of a desk (or standard-format) sketchbook: the surviving desk sketches ...