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Introduction: The End of the Animal – Literary and Cultural Animalities

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The introduction to this volume calls for the end of “animal studies” broadly conceived as an umbrella term encompassing such diverse fields as animality studies, posthumanism, human-animal studies, critical animal studies, and species critique. While these fields attempt to move beyond the human in various ways, they often have rather different ends in mind, if not explicit conflicts with each other. Lundblad thus argues that this range of work can be characterized more productively as falling under the three general categories of human-animal studies, posthumanism, and animality studies, with a common focus on what he calls “animalities”: texts, discourses, and material relationships that construct animals, on the one hand, or humans in relation to animals, on the other hand, or both.
Edinburgh University Press
Title: Introduction: The End of the Animal – Literary and Cultural Animalities
Description:
The introduction to this volume calls for the end of “animal studies” broadly conceived as an umbrella term encompassing such diverse fields as animality studies, posthumanism, human-animal studies, critical animal studies, and species critique.
While these fields attempt to move beyond the human in various ways, they often have rather different ends in mind, if not explicit conflicts with each other.
Lundblad thus argues that this range of work can be characterized more productively as falling under the three general categories of human-animal studies, posthumanism, and animality studies, with a common focus on what he calls “animalities”: texts, discourses, and material relationships that construct animals, on the one hand, or humans in relation to animals, on the other hand, or both.

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