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Drawing of the Antonina column, which is 175 feet tall and hebbe 206 degrees, to mount on the top, this column, was by M. Antonio philosopho drizzata, Ma he consecrates it, in honors of Antonino Pio, his adoptive father, Hora is half a failure from fire,

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View of the Antonina column. The historiated column, represented in its square on a high base decorated with a closed door, unveils without being surmounted by any statue. On the right the temple of Hadrian and all around are the buildings. In the square are some passers-by, engraved by Etienne Du Perac, cf.: A. Linzeler, Inventaire du fonds francais. Graveurs du seizième siècle, Tome premier, Paris 1932, p. 314, no. 34, From the work: I vestiges of antiquity in Rome collected and portraits... by Stefano Du Perac, 1575, Roman numerals in the title, On the lower right 34, Measurements on a slipped specimen, Previous inventory 7890, remounted on cardstock, in a folder
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Title: Drawing of the Antonina column, which is 175 feet tall and hebbe 206 degrees, to mount on the top, this column, was by M. Antonio philosopho drizzata, Ma he consecrates it, in honors of Antonino Pio, his adoptive father, Hora is half a failure from fire,
Description:
View of the Antonina column.
The historiated column, represented in its square on a high base decorated with a closed door, unveils without being surmounted by any statue.
On the right the temple of Hadrian and all around are the buildings.
In the square are some passers-by, engraved by Etienne Du Perac, cf.
: A.
Linzeler, Inventaire du fonds francais.
Graveurs du seizième siècle, Tome premier, Paris 1932, p.
314, no.
34, From the work: I vestiges of antiquity in Rome collected and portraits.
by Stefano Du Perac, 1575, Roman numerals in the title, On the lower right 34, Measurements on a slipped specimen, Previous inventory 7890, remounted on cardstock, in a folder.

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