Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Conversations with Chen Shaoxiong and Qian Weikang

View through CrossRef
Abstract The following conversations with the artists Chen Shaoxiong and Qian Weikang were conducted by Liu Ding, Carol Yinghua Lu and Su Wei as part of their research as curators of the 7th Shenzhen Biennale, ‘Accidental Message: Art is Not a System, not a World’, which was staged in 2012. The interviews were originally published in Mandarin Chinese in Individual Experience: Conversations and Narratives of Contemporary Art Practice in China from 1989 to 2000, a collection of conversations Liu, Lu and Su conducted with artists and curators active in China from 1989 to 2000. Chen Shaoxiong is a founding member of the art groups the Southern Artists Salon and the Big Tail Elephant Group, both of which were formed in Guangzhou – the former in 1986 and the latter in 1990. Qian Weikang was active as a conceptual artist in China during the early to mid-1990s. Both interviews explore the concerns of artists in China during the 1990s as well as the socio-economic, cultural and political circumstances surrounding their practice at the time.
Title: Conversations with Chen Shaoxiong and Qian Weikang
Description:
Abstract The following conversations with the artists Chen Shaoxiong and Qian Weikang were conducted by Liu Ding, Carol Yinghua Lu and Su Wei as part of their research as curators of the 7th Shenzhen Biennale, ‘Accidental Message: Art is Not a System, not a World’, which was staged in 2012.
The interviews were originally published in Mandarin Chinese in Individual Experience: Conversations and Narratives of Contemporary Art Practice in China from 1989 to 2000, a collection of conversations Liu, Lu and Su conducted with artists and curators active in China from 1989 to 2000.
Chen Shaoxiong is a founding member of the art groups the Southern Artists Salon and the Big Tail Elephant Group, both of which were formed in Guangzhou – the former in 1986 and the latter in 1990.
Qian Weikang was active as a conceptual artist in China during the early to mid-1990s.
Both interviews explore the concerns of artists in China during the 1990s as well as the socio-economic, cultural and political circumstances surrounding their practice at the time.

Related Results

Qian Xuexi and William Empson’s Discussion of Arthur Waley’s English Translation of the Daodejing
Qian Xuexi and William Empson’s Discussion of Arthur Waley’s English Translation of the Daodejing
Between June and August 1947, Qian Xuexi and William Empson exchanged 12 letters on the issue of Arthur Waley’s misinterpretation of the Daodejing. Through a thorough analysis of t...
End‐of‐life conversations for the older person: A concept analysis
End‐of‐life conversations for the older person: A concept analysis
AbstractAimThe aim of this concept analysis is to seek clarity as to what end‐of‐life conversations involve by developing a clear working definition and using model cases to concep...
Using Informal Conversations in Qualitative Research
Using Informal Conversations in Qualitative Research
The aim of this paper is to promote a greater use of informal conversations in qualitative research. Although not a new innovation, we posit that they are a neglected innovation an...
The celebrification of Qian Xuesen
The celebrification of Qian Xuesen
AbstractCommonly referred to as the ‘father of spaceflight’ and ‘king of rocketry’, Qian Xuesen (1911–2009) is for many Chinese citizens the pre-eminent scientist of the twentieth ...
The Exotic Materials at the Chang’e-5 Landing Site
The Exotic Materials at the Chang’e-5 Landing Site
IntroductionThe Chang’e-5 (CE-5) mission is China’s first lunar sample return mission. CE-5 landed at Northern Oceanus Procellarum (43.06°N, 51.92&...
The performative institutional embrace
The performative institutional embrace
PurposeThis ESRC‐based research article aims to investigate the effects of performativity on primary schools and the teachers therein. It also aims to show how performativity to ma...
A conversation about Studio Conversations
A conversation about Studio Conversations
Filmed conversation between Gunhild Mathea Husvik-Olaussen, co-editor of issue #10, and Andrew Hardwidge, Chrysa Parkinson and Frank Bock, authors of “Studio Conversations”. During...
Tamminen et al (2017) Car Ride Home
Tamminen et al (2017) Car Ride Home
Purpose: Conversations occurring within the car ride home may shed light on parental socialization among adolescent athletes, as conversations are viewed as sites to socialize part...

Back to Top