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Sultan Sanjar and the Old Woman (painting, recto; text, verso), folio from a manuscript of the Khamsa (Makhsan al-Asrar) by Nizami
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Makhzan al-asrar contains stories dealing with religious and moral values, worldly power, and spiritual concerns. This episode of Nizami’s poem tells of an old woman who complained to the Seljuk ruler Sultan Sanjar (d. 1157) about the harsh treatment that she had received from his police. After recounting the physical and mental suffering inflicted on her by Sanjar’s men, she proceeded to describe the immoral conduct of the ruler himself and the disapproval of his subjects throughout the empire, warning him that his tyranny and lack of justice would lead to his demise.
In this illustration, the sultan is shown astride his horse and surrounded by the men of his retinue, one of whom shades him with a parasol. The old woman approaches, and she and the sultan gesture with extended arms, indicating that they are conversing. Although she is the subject of Nizami's story, she is a minor figure in this painting, which is dominated by the image of Sultan Sanjar. The episode takes place in a flowery green meadow, behind which is a hill with rocky outcroppings that suggest human faces—a common convention in Safavid painting.
Department of Islamic & Later Indian Art
[Christies London 18 October 1994 lot 31]. [Mansour Gallery London 1994 or 1995] sold; to Stanford and Norma Jean Calderwood Belmont MA (1994 or 1995 - 2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Sultan Sanjar and the Old Woman (painting, recto; text, verso), folio from a manuscript of the Khamsa (Makhsan al-Asrar) by Nizami
Description:
Makhzan al-asrar contains stories dealing with religious and moral values, worldly power, and spiritual concerns.
This episode of Nizami’s poem tells of an old woman who complained to the Seljuk ruler Sultan Sanjar (d.
1157) about the harsh treatment that she had received from his police.
After recounting the physical and mental suffering inflicted on her by Sanjar’s men, she proceeded to describe the immoral conduct of the ruler himself and the disapproval of his subjects throughout the empire, warning him that his tyranny and lack of justice would lead to his demise.
In this illustration, the sultan is shown astride his horse and surrounded by the men of his retinue, one of whom shades him with a parasol.
The old woman approaches, and she and the sultan gesture with extended arms, indicating that they are conversing.
Although she is the subject of Nizami's story, she is a minor figure in this painting, which is dominated by the image of Sultan Sanjar.
The episode takes place in a flowery green meadow, behind which is a hill with rocky outcroppings that suggest human faces—a common convention in Safavid painting.
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