Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Gothic Fiction and Irish Children’s Literature

View through CrossRef
A survey of Irish children’s fiction, loosely defined as stories read by young people that were written by authors who were born or spent some time in Ireland, published from the early nineteenth to the early twenty-first century reveals no sign of a specifically Irish gothic tradition. Nevertheless, Irish children’s fiction of that period did not completely eschew the gothic. This chapter focuses on three texts for young readers that contain elements characteristic of gothic fiction: Lady Mount Cashell’s Stories of Old Daniel (1808); Peadar Ua Laoghaire’s Séadna (1904) and Claire Hennessy’s Nothing Tastes as Good (2016). The analysis of how the gothic elements in these very different texts from three different centuries interact with the acculturation impulse common to children’s fiction suggests that didacticism is the defining feature of children’s literature. However, within these texts, didactic acculturation is tempered by an anarchic embrace of the gothic in both English and Irish that transcends the type of social and political divisions that have been theorised as intrinsic to the emergence of Irish gothic fiction.
Edinburgh University Press
Title: Gothic Fiction and Irish Children’s Literature
Description:
A survey of Irish children’s fiction, loosely defined as stories read by young people that were written by authors who were born or spent some time in Ireland, published from the early nineteenth to the early twenty-first century reveals no sign of a specifically Irish gothic tradition.
Nevertheless, Irish children’s fiction of that period did not completely eschew the gothic.
This chapter focuses on three texts for young readers that contain elements characteristic of gothic fiction: Lady Mount Cashell’s Stories of Old Daniel (1808); Peadar Ua Laoghaire’s Séadna (1904) and Claire Hennessy’s Nothing Tastes as Good (2016).
The analysis of how the gothic elements in these very different texts from three different centuries interact with the acculturation impulse common to children’s fiction suggests that didacticism is the defining feature of children’s literature.
However, within these texts, didactic acculturation is tempered by an anarchic embrace of the gothic in both English and Irish that transcends the type of social and political divisions that have been theorised as intrinsic to the emergence of Irish gothic fiction.

Related Results

Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
The Black Mass as Play: Dennis Wheatley's The Devil Rides Out
The Black Mass as Play: Dennis Wheatley's The Devil Rides Out
Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts c...
Irish Literature and the Union with Britain, 1801–1921
Irish Literature and the Union with Britain, 1801–1921
Studies of Romantic and Victorian literary culture often sideline Irish writing—not always out of Anglocentric prejudice, but also because Irish literature in those periods was fre...
Gothic Revival/Gothick
Gothic Revival/Gothick
Gothic Revival designates a key moment in architectural history. It also refers to the use of Gothic forms and motifs in furniture, design, and the decorative arts. It is inextrica...
Children's Literature and Young Adult Literature in Ireland
Children's Literature and Young Adult Literature in Ireland
Irish children’s and young adult literature is a rich and complex field of inquiry. While the history of Irish children’s publishing can be traced to the eighteenth century, the em...
Irish Gothic Fiction
Irish Gothic Fiction
This chapter discusses the nature and function of the Gothic mode in Irish fiction. Given the general acceptance that elements of the Gothic can be found in the work of almost ever...
Ireland
Ireland
Irish Victorian literature is full of possibilities for research, and interest in it is growing continually. Long neglected, its time has apparently come at last. In the past it su...
Modern Interpretations of Irish Mythology
Modern Interpretations of Irish Mythology
Modern versions of Irish mythological tales circulated widely from the late nineteenth century and the early twentieth, a period sometimes termed the Irish Revival, the Irish Liter...

Back to Top