Javascript must be enabled to continue!
Dracula
View through CrossRef
Since it was first published in 1897, this infamous Gothic horror novel, which brought its author international acclaim, has spawned a global following, inspiring hundreds of films and setting the seaside town of Whitby in North Yorkshire on the map forever. A sickly child, Bram Stoker (1847–1912) developed a fascination with the supernatural during his enforced confinement. He went on to become actor Henry Irving's business manager at the Lyceum Theatre in London, yet continued to pursue his literary interests. His iconic villain takes his name from Vlad the Impaler (1431–76), also known as Vlad Dracula, whereas the vampire's appearance and powerful personality is modelled on Irving. Famous for its epistolary form, Dracula went through eleven editions during Stoker's lifetime. Succeeding generations continue to be enthralled and thrilled anew by the tale's dark terror and deeply unsettling undercurrents.
Title: Dracula
Description:
Since it was first published in 1897, this infamous Gothic horror novel, which brought its author international acclaim, has spawned a global following, inspiring hundreds of films and setting the seaside town of Whitby in North Yorkshire on the map forever.
A sickly child, Bram Stoker (1847–1912) developed a fascination with the supernatural during his enforced confinement.
He went on to become actor Henry Irving's business manager at the Lyceum Theatre in London, yet continued to pursue his literary interests.
His iconic villain takes his name from Vlad the Impaler (1431–76), also known as Vlad Dracula, whereas the vampire's appearance and powerful personality is modelled on Irving.
Famous for its epistolary form, Dracula went through eleven editions during Stoker's lifetime.
Succeeding generations continue to be enthralled and thrilled anew by the tale's dark terror and deeply unsettling undercurrents.
Related Results
Post-1968 Vampires
Post-1968 Vampires
Concerned with the political and socio-economic implications of Italian vampire cinema, the chapter identifies Italian vampires with enemies within (a specific group of people in t...
Dracula (John Badham, 1979) au prisme de la musique
Dracula (John Badham, 1979) au prisme de la musique
Cet article se propose à analyser la manière dont la partition musicale de John Williams sert le propos du Dracula (1979) de John Badham qui vise à un renouvellement du personnage ...
Superimpositions and Vampires in Jess Franco’s Cinema
Superimpositions and Vampires in Jess Franco’s Cinema
Within fantastic and horror cinema, the technique of superimposing images has played a fundamental role since its inception when it comes to representing the supernatural. In this ...
Bram Stoker, Dracula and the Irish Dimension
Bram Stoker, Dracula and the Irish Dimension
This chapter considers 'Irish' readings of Bram Stoker's Dracula (1897), a novel that is not set in Ireland and in which there are no Irish characters. It argues that situating bot...
Exploring the Route to Castle Dracula. A Reply to Paul Murray and Brian Coffey
Exploring the Route to Castle Dracula. A Reply to Paul Murray and Brian Coffey
In December 2023, an article by Stoker biographer Paul Murray challenged my findings about the location of the fictitious Castle Dracula, known from Bram Stoker’s vampire novel. In...
COUNT DRACULA, LOUIS DE POINTE DU LAC AND EDWARD CULLEN: THE ARCHETYPAL SHIFT OF VAMPIRES FIGURES ACROSS THREE ERAS OF ENGLISH LITERATURE
COUNT DRACULA, LOUIS DE POINTE DU LAC AND EDWARD CULLEN: THE ARCHETYPAL SHIFT OF VAMPIRES FIGURES ACROSS THREE ERAS OF ENGLISH LITERATURE
The research aims at finding out the archetype, archetypal shift and the dominant archetype of vampire figures: Count Dracula, Louis de Pointe du Lac and Edward Cullen. The methods...
Dracula's Family Tree: Demonology, Taxonomy, and Orientalist Influences in Bram Stoker's Iconic Novel
Dracula's Family Tree: Demonology, Taxonomy, and Orientalist Influences in Bram Stoker's Iconic Novel
Prior to Bram Stoker's Dracula, vampires were never represented in literature as reanimated or ‘undead’ humans capable of transforming into bats. The source of Stoker's innovation ...
Introduction
Introduction
The aim of the introductory chapter is threefold. Firstly, the chapter points out the monograph’s originality by contextualising the book in relation to ongoing scholarly debates a...

