Luchino Visconti

Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestió...

Luchino Visconti (b. 1906–d. 1976) was one of Italy’s foremost directors of cinema, theater, and opera. A cultural figurehead of the Italian Communist Party (PCI), Visconti was see...

Sinemasal anlatılarda çoğunlukla erkeklerin hikâyelerine yer verilmekte kadın karakterler ikinci planda kalmaktadır. Bu kadın karakterler de toplumsal cinsiyete dair kabul edilen ö...

The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the...

Luchino Visconti's fame as a filmmaker tends to eclipse his prolific activity on the stage where over the course of three decades, he established himself as a major figure in postw...

Pascale Bourgain, Les sermons de Federico Visconti comparés aux écrits de Fra Salimbene et Jacques de Voragine, p. 243-257. Le recueil des sermons de Frédéric Visconti (...

Italian Neorealism is a filmmaking movement associated with a select group of Italian filmmakers in the latter years of, and the years immediately following, World War II, the most...

Le film de Luchino Visconti, La Terre tremble, a été considéré comme un exemple d'œuvre néo-réaliste, ou comme un documentaire sur les pêcheurs de Sicile. S'y laisse entrevoir (d'a...