Exhibition of sixty anonymous master drawings at the H. Shickman Gallery, 929 Park Ave., New York, May 1969

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without d...

Illustrated throughout with 2-color and tinted maps and drawings and numerous photographs, Rebuilding Central Park is the first close examination of these invaluable 843 acres in m...

By the 1970s, the Brooklyn piers had become a wasteland on the New York City waterfront. Today, they have been transformed into a stunning park that is enjoyed by countless Brookly...

Metis : On the Surface is an exhibition of seven projects that range from installations to large urban restructuring proposals. The exhibition and the projects are by Metis, an ate...

Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works ...

This is the first comprehensive study of Master Tara Singh (1885–1967), placed in the wider context of Indian history. It is based on a large volume and variety of source materials...

This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States. ...