Javascript must be enabled to continue!
Panel Fragment for the House of Printing in Leningrad
View through Europeana Collections
Between 1926 and 1928, Shulimo-Samuillo attended the Collective of Masters of Analytical Art headed by Pavel Filonov. As a member of the group, from 1926 or 1927, he participated in an exhibition at the Press House in Leningrad, which was held in conjunction with the performance of Nikolai Gogol's "Inspector General". The collective "Masters of Analytical Art" designed the sets and costumes for the performance, but at the same time decorated the walls of the amphitheatre with huge panels and two sculptures. The work - one of four sections of a panel by Sulimo-Samuillo - is a colour figurative composition projected on a blue, green and red background. It is dominated by the image of a brown boot with a spur (left) and part of a high right leg in trousers, bent and resting on the knee (right). The second level is dominated by variegated and miniaturised motifs depicting flowers (mainly roses on the left and 'bellflowers' on the lower right) and decorative motifs. Behind and to the left of the heel of the right foot is a house with a gabled roof and a small chimney, seen from above on the front and slightly to the side, which is structured on the basis of variegated decorative motifs in miniature.
Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus
Title: Panel Fragment for the House of Printing in Leningrad
Description:
Between 1926 and 1928, Shulimo-Samuillo attended the Collective of Masters of Analytical Art headed by Pavel Filonov.
As a member of the group, from 1926 or 1927, he participated in an exhibition at the Press House in Leningrad, which was held in conjunction with the performance of Nikolai Gogol's "Inspector General".
The collective "Masters of Analytical Art" designed the sets and costumes for the performance, but at the same time decorated the walls of the amphitheatre with huge panels and two sculptures.
The work - one of four sections of a panel by Sulimo-Samuillo - is a colour figurative composition projected on a blue, green and red background.
It is dominated by the image of a brown boot with a spur (left) and part of a high right leg in trousers, bent and resting on the knee (right).
The second level is dominated by variegated and miniaturised motifs depicting flowers (mainly roses on the left and 'bellflowers' on the lower right) and decorative motifs.
Behind and to the left of the heel of the right foot is a house with a gabled roof and a small chimney, seen from above on the front and slightly to the side, which is structured on the basis of variegated decorative motifs in miniature.
Related Results
Theater poster of GOSET guest performance of “200,000” in Leningrad, 1930s
Theater poster of GOSET guest performance of “200,000” in Leningrad, 1930s
Theater poster of GOSET guest performance of “200,000” at Moscow-Narva House of Culture (Moskovsko-Narvskii dom kul’tury) at 2 Stachek street in Leningrad, on November 16, 17, and ...
Theater poster of GOSET guest performance of “200,000” in Leningrad, 1930s
Theater poster of GOSET guest performance of “200,000” in Leningrad, 1930s
Theater poster of GOSET guest performance of “200,000” at Moscow-Narva House of Culture (Moskovsko-Narvskii dom kul’tury) at 2 Stachek street in Leningrad, on November 16, 17, and ...
Christ on the route to Calvary
Christ on the route to Calvary
This panel was in the collection of Baron Heinrich Freiherr von Tucher, where it was recorded in 1908. The collection of this German diplomat stationed in Rome was auctioned in Ber...
1) Reliquiario Sreznevsky 2) Stauroteca di Jaucourt 3) Stauroteca di Philopée 4) Reliquiario dell'Ermitage (Leningrado) 5) Dyscos di Halberstadt 6) Stauroteca dell'Ermitage(Leningrad) 7) Rivestimento dell'icona del Tesoro di S. Marco (Venezia)
1) Reliquiario Sreznevsky 2) Stauroteca di Jaucourt 3) Stauroteca di Philopée 4) Reliquiario dell'Ermitage (Leningrado) 5) Dyscos di Halberstadt 6) Stauroteca dell'Ermitage(Leningrad) 7) Rivestimento dell'icona del Tesoro di S. Marco (Venezia)
Decorative motifs of different reliquaries: 1) Reliquary Sreznevsky 2) Staurotheke of Jaucourt 3) Staurotheke of Philopée 4) Reliquary of the Hermitage (Leningrad) 5) Dyscos of Hal...
1) Reliquiario Sreznevsky 2) Stauroteca di Jaucourt 3) Stauroteca di Philopée 4) Reliquiario dell'Ermitage (Leningrado) 5) Dyscos di Halberstadt 6) Stauroteca dell'Ermitage(Leningrad) 7) Rivestimento dell'icona del Tesoro di S. Marco (Venezia)
1) Reliquiario Sreznevsky 2) Stauroteca di Jaucourt 3) Stauroteca di Philopée 4) Reliquiario dell'Ermitage (Leningrado) 5) Dyscos di Halberstadt 6) Stauroteca dell'Ermitage(Leningrad) 7) Rivestimento dell'icona del Tesoro di S. Marco (Venezia)
Decorative motifs of different reliquaries: 1) Reliquary Sreznevsky 2) Staurotheke of Jaucourt 3) Staurotheke of Philopée 4) Reliquary of the Hermitage (Leningrad) 5) Dyscos of Hal...
painting (oil): ["Peasants Fleeing"] aka ["Witchcraft"]
painting (oil): ["Peasants Fleeing"] aka ["Witchcraft"]
"May have been a section of a larger painting; subject relating to witchcraft. Unsigned." [Register] "It is painted in grisaille and appears, from the way the panel is cut, to be t...
Flowers in an Jug (verso)
Flowers in an Jug (verso)
This panel was in the collection of the Dukes of Hamilton in the UK during most of the 19th century. In 1906 it was owned by the Duchess of Montrose at Castle Brodick on the Isle o...
Portrait of a Young Man praying (recto)
Portrait of a Young Man praying (recto)
This panel was in the collection of the Dukes of Hamilton in the UK during most of the 19th century. In 1906 it was owned by the Duchess of Montrose at Castle Brodick on the Isle o...

