Javascript must be enabled to continue!
Plato, Poetry, and the Lyric Nine
View through CrossRef
Chapter 3 focuses on Plato’s attitude towards the lyric poets and on the diversity with which certain lyric extracts are incorporated in his dialogues. Lyric poets are portrayed in Plato as authorities on ethical matters, lyric passages are integrated in philosophical arguments as pieces of eternal wisdom, and gnomic utterances from several lyric poems are re-contextualized in a number of passages in the Platonic dialogues. This method attests to the atemporal poetics and the broad applicability of lyric. The evidence provided in the Platonic dialogues allows us to conclude not only that the lyric poets were well recognized by mid-fourth century BC but also that a number of their poems were still performed during Plato’s time or were famous enough to be recalled in his work.
Title: Plato, Poetry, and the Lyric Nine
Description:
Chapter 3 focuses on Plato’s attitude towards the lyric poets and on the diversity with which certain lyric extracts are incorporated in his dialogues.
Lyric poets are portrayed in Plato as authorities on ethical matters, lyric passages are integrated in philosophical arguments as pieces of eternal wisdom, and gnomic utterances from several lyric poems are re-contextualized in a number of passages in the Platonic dialogues.
This method attests to the atemporal poetics and the broad applicability of lyric.
The evidence provided in the Platonic dialogues allows us to conclude not only that the lyric poets were well recognized by mid-fourth century BC but also that a number of their poems were still performed during Plato’s time or were famous enough to be recalled in his work.
Related Results
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Maria Stepanova (b. 1972) is a contemporary Russian poet who has emerged in recent decades as one of the most original and complex voices on the poetically highly heterogeneous and...
Greater Romantic Lyric
Greater Romantic Lyric
The term ‘greater Romantic lyric’ derives from M.H. Abrams's 1965 essay, ‘Structure and Style in the Greater Romantic Lyric’, in which he identifies this poetic type as a distincti...
Lyric Poetry and Poetics
Lyric Poetry and Poetics
Abstract
Lyric poetry is an ancient genre, enduring to the present day, but it is not continuous in its longevity. What happens to lyric poetry and how it changes...
Lyric Effects
Lyric Effects
This chapter historicizes and theorizes an alternative record of lyric practice that emerged in the Depression but has been obscured. Specifically, the writings of communist poets ...
Wokół liryki i liryczności doby romantyzmu
Wokół liryki i liryczności doby romantyzmu
The volume presents the research of Czesław Zgorzelski (1908-1996) on poetic art and aesthetics of lyricism in the Romantic period. However, the first two studies concern diversity...
Time and Lyric Poetry (Collections): A ‘Narrative-Diachronic’ Approach
Time and Lyric Poetry (Collections): A ‘Narrative-Diachronic’ Approach
Abstract
The essay addresses the problem of time in lyric poetry and proposes a narrative understanding of the lyric genre. I argue that temporality belongs to the lyric discourse ...
Review of Vasil Simonenko's work
Review of Vasil Simonenko's work
In the paper the work of Vasyl Symonenko (lyric poetry, lyro epic, short stories) is integrally analysed. Attention to collections "Bank of expectations" and "For itself" is paid. ...
Plato and Aristotle in the Academy
Plato and Aristotle in the Academy
This chapter considers Aristotle’s criticisms of Plato. Among these are (1) Aristotle raises doubts about and rejects aspects of Plato’s theory of Forms, (2) Aristotle dismisses Pl...

