Javascript must be enabled to continue!
A Singing Approach to Horn Playing
View through CrossRef
Abstract
“A Singing Approach to Horn Playing” trains hornists to play with greater accuracy and musicality by developing the ear. Horn players learn to actively hear the notes on the page through singing and playing the instrument. Each example includes solfège, inner hearing, transposition, and rhythmic training as well as polyphonic exercises for learning to hear and read in multiple parts. These exercises can be done independently or with a partner. The book begins with folk songs to develop fundamental pitch and solfège skills, starting with three and four note melodies. These songs are followed by canons, solfeggio (vocal etudes transcribed for horn), and standard horn literature. The horn selections enable hornists to apply their musicianship skills to performance, with examples from standard etudes, orchestral excerpts, and solos. The horn parts also include significant orchestral and accompaniment lines to sing and play on horn, so that horn players can perform with practical knowledge of the score.
Title: A Singing Approach to Horn Playing
Description:
Abstract
“A Singing Approach to Horn Playing” trains hornists to play with greater accuracy and musicality by developing the ear.
Horn players learn to actively hear the notes on the page through singing and playing the instrument.
Each example includes solfège, inner hearing, transposition, and rhythmic training as well as polyphonic exercises for learning to hear and read in multiple parts.
These exercises can be done independently or with a partner.
The book begins with folk songs to develop fundamental pitch and solfège skills, starting with three and four note melodies.
These songs are followed by canons, solfeggio (vocal etudes transcribed for horn), and standard horn literature.
The horn selections enable hornists to apply their musicianship skills to performance, with examples from standard etudes, orchestral excerpts, and solos.
The horn parts also include significant orchestral and accompaniment lines to sing and play on horn, so that horn players can perform with practical knowledge of the score.
Related Results
Singing voice range profile: New objective evaluation methods for voice change after thyroidectomy
Singing voice range profile: New objective evaluation methods for voice change after thyroidectomy
AbstractBackgroundAfter surgery in the thyroid region, patients may present with phonation or singing difficulty, even within their vocal range. We designed a novel voice evaluatio...
Singing and Playing - A Kodály Approach to Cello Playing
Singing and Playing - A Kodály Approach to Cello Playing
Alice Andreani - Classical Cello
Research Supervisor: Daniel Salbert
Research Title: "Singing and Playing - A Kodály Approach to Cello Playing".
Research Question: “What are th...
Sang og syngning i skolen
Sang og syngning i skolen
Songs and singing in school: Danish school singing between tangible and intangible cultural heritage
For centuries, singing has played a vital role in elementary schools in Denmar...
Singing and Well-Being Indicators
Singing and Well-Being Indicators
Previous studies have indicated that there are positive effects of music and singing on well-being in adults. The aim of our study was to examine the associations between singing c...
Horn growth patterns of Nubian ibex from the Sinai, Egypt
Horn growth patterns of Nubian ibex from the Sinai, Egypt
Abstract
Documenting patterns of horn growth and horn-age relationships of Nubian ibex (Capra nubiana) can contribute to a more comprehensive understanding of their ...
The pregnancy outcomes of patients with a rudimentary uterine horn v1
The pregnancy outcomes of patients with a rudimentary uterine horn v1
Objectives: To evaluate the presentation, assessment, treatment, and pregnancy outcomes of 22 women with a rudimentary uterine horn. Methods: We reviewed the data regarding the out...
Det syngende kirkerum
Det syngende kirkerum
The singing church space: How the spatiality of church spaces shapes communal singing
This article explores how spatiality shapes communal singing in church spaces. By incorporatin...
Fællessang som samklingende eufori eller social dissonans
Fællessang som samklingende eufori eller social dissonans
Group Singing as Harmonic Euphoria or Social Dissonance
Group singing is in general tributed for its ability to promote wellbeing, different aspects of health, feelings of co...

