Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Spinner's Violin Sonata – Why op. 1?
View through CrossRef
Leopold Spinner composed his Sonata for Violin and Piano at the age of 30, in Vienna, in late 1936, while Studying with Webern. It was performed in Vienna on 22 November of that year under the auspices of the Austrian Section of the ISCM. In 1940—having in the meantime been forced to emigrate to this country—he made a slightly revised version of the work, which seems to have remained unheard until this year.
Title: Spinner's Violin Sonata – Why op. 1?
Description:
Leopold Spinner composed his Sonata for Violin and Piano at the age of 30, in Vienna, in late 1936, while Studying with Webern.
It was performed in Vienna on 22 November of that year under the auspices of the Austrian Section of the ISCM.
In 1940—having in the meantime been forced to emigrate to this country—he made a slightly revised version of the work, which seems to have remained unheard until this year.
Related Results
Approaching the Sketches for Beethoven's Hammerklavier Sonata
Approaching the Sketches for Beethoven's Hammerklavier Sonata
Contrary to his usual procedure, Beethoven seems to have composed the "Hammerklavier" Sonata without the aid of a desk (or standard-format) sketchbook: the surviving desk sketches ...
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Pagani was born in Genoa, October 27, 1782, and died May 27, 1840.
He was an Italian composer considered one of the archetypes of violin virtuosity and one of the greatest ...
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
Abstrak Nel Cor Piu Non Mi Sento merupakan sebuah komposisi karya Giovani Paisiello, seorang komposer berpengaruh dan populer pada akhir 1700an di Italia. Lagu tersebut kemudian di...
WHAT BEETHOVEN LEARNED FROM K464
WHAT BEETHOVEN LEARNED FROM K464
ABSTRACTBeethoven imitated Mozart's String Quartet in A major K464 more openly than any other work by a fellow composer. Yet critics have never explained his fascination with the f...
Bartók and his Violin Concerto
Bartók and his Violin Concerto
It is not surprising that Hungary's greatest composer should write a violin concerto whose qualities are unique. A good concerto has, among other obligations, that of displaying th...
The Original Version of Bartok's Sonata for Solo Violin
The Original Version of Bartok's Sonata for Solo Violin
It is not widely known that the original version of Bartók's Sonata for solo violin differs in a number of details from the published edition, and in the finale significantly so. A...
Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano
Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano
Perfect fifths occupy a privileged role in much of Aaron Copland’s music. This essay explores the structural significance of ic-5 emphases in the Sonata for Violin and Piano sugges...
Holliger's Violin Concerto
Holliger's Violin Concerto
HOLLIGER: Violin Concerto, ‘Hommage à Louis Soutter’. YSAŸE: Sonata op. 27, No. 3, ‘Ballade’ for solo violin. Thomas Zehetmair (vln), SWR Sinfonieorchester c. Heinz Holliger. ECM N...