Javascript must be enabled to continue!
Bartók's Early Violin Concerto
View through CrossRef
At one of the concerts of the Bartók Festival in Basel this year, the first performance was given of the composer's early Violin Concerto. It had long been known that the first of the Two Portraits, Op. 5, was a movement from it, but the complete work was for many years believed lost. Fortunately the manuscript score had been carefully kept by the Hungarian-born violinist Stefi Geyer, for whom Bartók wrote it, and at her death she left it to Paul Sacher with the request that he and the Swiss violinist Hans-Heinz Schneeberger should perform it. They did so at Basel on 30th May, 1958.
Title: Bartók's Early Violin Concerto
Description:
At one of the concerts of the Bartók Festival in Basel this year, the first performance was given of the composer's early Violin Concerto.
It had long been known that the first of the Two Portraits, Op.
5, was a movement from it, but the complete work was for many years believed lost.
Fortunately the manuscript score had been carefully kept by the Hungarian-born violinist Stefi Geyer, for whom Bartók wrote it, and at her death she left it to Paul Sacher with the request that he and the Swiss violinist Hans-Heinz Schneeberger should perform it.
They did so at Basel on 30th May, 1958.
Related Results
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases socia...
Bartók and his Violin Concerto
Bartók and his Violin Concerto
It is not surprising that Hungary's greatest composer should write a violin concerto whose qualities are unique. A good concerto has, among other obligations, that of displaying th...
Pojedynki dźwiękiem pisane. Pietro Antonio Locatelli versus Jean-Marie Leclair
Pojedynki dźwiękiem pisane. Pietro Antonio Locatelli versus Jean-Marie Leclair
Duels of the Sound: Pietro Antonio Locatelli Versus Jean-Marie Leclair The tradition of musical duels harkens back to the days of the ancient Greece. One of the earliest examples o...
Duels in Sound: Pietro Antonio Locatelli vs Jean-Marie Leclair
Duels in Sound: Pietro Antonio Locatelli vs Jean-Marie Leclair
The tradition of musical duels harkens back to the days of ancient Greece. One of the earliest examples of musical rivalry is the myth of Marsyas and Apollo, which ends tragically ...
Recitativo
Recitativo
Abstract
The third movement of Alfred Schnittke’s Concerto Grosso no. 1, Recitativo, lays bare the soloists, foregrounding and undercutting them simultaneously. More...
Giuseppe Torelli and the birth of the Violin Concerto
Giuseppe Torelli and the birth of the Violin Concerto
Giuseppe Torelli (1658-1709), a violinist and composer famous all over Europe during his lifetime, has not received much attention in today's concert programs and academic environm...
Alfred Schnittke's Concerto Grosso no. 1
Alfred Schnittke's Concerto Grosso no. 1
Abstract
This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known a...
Practical Solfège and Music Theory in Violin Education
Practical Solfège and Music Theory in Violin Education
Nowadays, violin students in conservatoires often learn solfège and music theory by singing and using the piano. For some instruments it is difficult to apply the acquired knowledg...

