Javascript must be enabled to continue!
Bartók's Early Violin Concerto
View through CrossRef
At one of the concerts of the Bartók Festival in Basel this year, the first performance was given of the composer's early Violin Concerto. It had long been known that the first of the Two Portraits, Op. 5, was a movement from it, but the complete work was for many years believed lost. Fortunately the manuscript score had been carefully kept by the Hungarian-born violinist Stefi Geyer, for whom Bartók wrote it, and at her death she left it to Paul Sacher with the request that he and the Swiss violinist Hans-Heinz Schneeberger should perform it. They did so at Basel on 30th May, 1958.
Title: Bartók's Early Violin Concerto
Description:
At one of the concerts of the Bartók Festival in Basel this year, the first performance was given of the composer's early Violin Concerto.
It had long been known that the first of the Two Portraits, Op.
5, was a movement from it, but the complete work was for many years believed lost.
Fortunately the manuscript score had been carefully kept by the Hungarian-born violinist Stefi Geyer, for whom Bartók wrote it, and at her death she left it to Paul Sacher with the request that he and the Swiss violinist Hans-Heinz Schneeberger should perform it.
They did so at Basel on 30th May, 1958.
Related Results
Bartók and his Violin Concerto
Bartók and his Violin Concerto
It is not surprising that Hungary's greatest composer should write a violin concerto whose qualities are unique. A good concerto has, among other obligations, that of displaying th...
The Original Version of Bartok's Sonata for Solo Violin
The Original Version of Bartok's Sonata for Solo Violin
It is not widely known that the original version of Bartók's Sonata for solo violin differs in a number of details from the published edition, and in the finale significantly so. A...
BAROQUE MINIMALISM IN JOHN ADAMS'S VIOLIN CONCERTO
BAROQUE MINIMALISM IN JOHN ADAMS'S VIOLIN CONCERTO
AbstractThis study explores Adams's interpretation of Baroque genres and his creative methods that draw on a relationship between past and present in the Violin Concerto. In this c...
Saint-Saens Violin: Concerto No. 3
Saint-Saens Violin: Concerto No. 3
The present study discusses the Violin Concerto No. 3, in B minor, op. 61, by Camille Saint-Saëns, focusing on the first and second movements. The purpose is to help perfo...
New Music in London
New Music in London
Rarely can one safely say from a purely aural knowledge of a single performance that any new work is a masterpiece. But at last such an opportunity has come with the Zorian's perfo...
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Pagani was born in Genoa, October 27, 1782, and died May 27, 1840.
He was an Italian composer considered one of the archetypes of violin virtuosity and one of the greatest ...
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
Abstrak Nel Cor Piu Non Mi Sento merupakan sebuah komposisi karya Giovani Paisiello, seorang komposer berpengaruh dan populer pada akhir 1700an di Italia. Lagu tersebut kemudian di...
Holliger's Violin Concerto
Holliger's Violin Concerto
HOLLIGER: Violin Concerto, ‘Hommage à Louis Soutter’. YSAŸE: Sonata op. 27, No. 3, ‘Ballade’ for solo violin. Thomas Zehetmair (vln), SWR Sinfonieorchester c. Heinz Holliger. ECM N...