«Mi cuerpo por toda mi patria y por toda la Grecia entrego». Sacrificio, ecofeminismo y teriomorfismo en las tragedias de Ifigenia

The myth of Iphigenia has prompted many analyses of its role in Euripides' literary work, especially in Iphigenia in Tauris (414 BCE) and Iphigenia in Aulis (409 BCE). Over the past decades, approaches such as ecofeminism, critical animal studies, and certain etiological perspectives have offered new interpretations of the symbolic dimensions of Iphigenia's character. This article examines those dimensions in both tragedies through contemporary perspectives that explore the female body, power dynamics, and the violence directed at women and animals within sacrificial practice. It also investigates the ritual origins of sacrifice as a precursor to tragedy and considers how these origins are translated theatrically and the role ofritualized violence in both plays. Finally, it offers a eritical analysis of the structural domination enacted on female and animal bodies in the "substitution" of Iphigenia by a deer, drawing on insights from feminism and the environmental humanities.