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Francesco Bernardi Senesino
View through The Met
Mezzotint
Drawings and Prints, Metropolitan Museum of Art New York NY, Harris Brisbane Dick Fund 1917
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Double portrait Francesco Bernardi, called Senesino (1680-1750) and Carlo Broschi, called Farinelli (1705-1782)
Double portrait Francesco Bernardi, called Senesino (1680-1750) and Carlo Broschi, called Farinelli (1705-1782)
On the copper engraving are the two famous catrasts of the baroque period Francesco Bernardi (called: Senesino) and Carlo Broschi (called: Farinelli). They lived and worked during ...
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l
Engraving, (XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli Paris (Pietro and Francesco Piranesi ...
Francesco Bernardi known as "Il Senesino" (1686–1758)
Francesco Bernardi known as "Il Senesino" (1686–1758)
Terracotta with later marble base...
Francesco Bernardi Senesino/Tho. Hudson pinxit; Alex. Vanhaecken fe. 1735
Francesco Bernardi Senesino/Tho. Hudson pinxit; Alex. Vanhaecken fe. 1735
Part of the documentary ensemble: IconMUS1...
Francesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Francesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Etching, L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este di Modena e Reggio Duca VIII [...]...
Francesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggi
Francesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggi
Etching, L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este di Modena e Reggio Duca VIII [...]...